Slags on Stage weaves cultural analysis with poetry and art criticism to explore the concept of the 'slag' and its place in contemporary British-English culture. The book traces the etymology of the word slag through the 20th and into the 21st century, thinking through the ways 'slag' speaks to issues of class, sex and desire.
Slags on Stage weaves cultural analysis with poetry and art criticism to explore the concept of the 'slag' and its place in contemporary British-English culture. The book traces the etymology of the word slag through the 20th and into the 21st century, thinking through the ways 'slag' speaks to issues of class, sex and desire.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Katie Beswick is a writer and academic. She is Programme Director for the BA Arts Management at Goldsmiths, University of London, UK.
Inhaltsangabe
Affect and Synasthesia: An Introduction Part One. Cultures of slag 1. Class, Sex, Desire 2. You Slag - Vulnerability, Interpellation and Twentieth Century Womanhood 3. The Slag, The Bitch and the Wardrobe - The Slag and Pleasure in Popular Culture Part Two. Slaggy art 4. Tracey Emin. Slaggy Endurance in Why I never Became a Dancer 5. Kelly Green. Abject Heterosexuality in CHAV and SLAG 6. Cash Carraway. Mistrust and Difficulty in Skint Estate and Refuge Woman 7. Michaela Coel. Recognition and Class Solidarity in I May Destroy You and Chewing Gum Dreams 8. Eirini Kartsaki. Weirding the Slag in Herpes What Women Want: A (kind of) Conclusion
Affect and Synasthesia: An Introduction Part One. Cultures of slag 1. Class, Sex, Desire 2. You Slag - Vulnerability, Interpellation and Twentieth Century Womanhood 3. The Slag, The Bitch and the Wardrobe - The Slag and Pleasure in Popular Culture Part Two. Slaggy art 4. Tracey Emin. Slaggy Endurance in Why I never Became a Dancer 5. Kelly Green. Abject Heterosexuality in CHAV and SLAG 6. Cash Carraway. Mistrust and Difficulty in Skint Estate and Refuge Woman 7. Michaela Coel. Recognition and Class Solidarity in I May Destroy You and Chewing Gum Dreams 8. Eirini Kartsaki. Weirding the Slag in Herpes What Women Want: A (kind of) Conclusion
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