Jeffrey Sconce
Sleaze Artists
Cinema at the Margins of Taste, Style, and Politics
Herausgeber: Sconce, Jeffrey
Jeffrey Sconce
Sleaze Artists
Cinema at the Margins of Taste, Style, and Politics
Herausgeber: Sconce, Jeffrey
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Collection of essays on the impact that non-mainstream and middlebrow film genres have had on popular culture--including sexploitation, horror, cult, XXX, and indie films.
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Collection of essays on the impact that non-mainstream and middlebrow film genres have had on popular culture--including sexploitation, horror, cult, XXX, and indie films.
Produktdetails
- Produktdetails
- Verlag: Duke University Press
- Seitenzahl: 352
- Erscheinungstermin: 1. Oktober 2007
- Englisch
- Gewicht: 640g
- ISBN-13: 9780822339533
- ISBN-10: 0822339536
- Artikelnr.: 22890841
- Verlag: Duke University Press
- Seitenzahl: 352
- Erscheinungstermin: 1. Oktober 2007
- Englisch
- Gewicht: 640g
- ISBN-13: 9780822339533
- ISBN-10: 0822339536
- Artikelnr.: 22890841
Acknowledgments vii
Introduction 1
Part 1: Sleazy Histories
Pandering to the “Goon Trade”: Framing the Sexploitation Audience through
Advertising / Eric Schaefer 19
Women’s Cinema as Counterphobic Cinema: Doris Wishman as the Last Auteur /
Tania Modleski 47
Representing (Repressed) Homosexuality in the Pre-Stonewall Hollywood
Homo-Military Film / Harry M. Benshoff 71
Pornography and Documentary: Narrating the Alibi / Chuck Kleinhans 96
El signo de la muerte and the Birth of a Genre: Origins and Anatomy of the
Aztec Horror Film 121
Art House or House of Exorcism? The Changing Distribution and Reception
Contexts of Mario Bava’s Lisa and the Devil / Kevin Heffernan 144
Part 2: Sleazy Afterlives
Troubling Synthesis: The Horrific Sights and Incompatible Sounds of Video
Nasties / Kay Dickinson 167
The Sleazy Pedigree of Todd Haynes / Joan Hawkins 189
Para-Paracinema: The Friday the 13th Film Series as Other to Trash and
Legitimate Film Cultures / Matt Hills 219
Boredom, Spasmo, and the Italian System / Chris Fujiwara 240
Pure Quidditas or Geek Chic? Cultism as Discernment / Greg Taylor 259
Movies: A Century of Failure / Jeffrey Sconce 273
Selected Bibliography 311
Contributors 321
Index 325
Introduction 1
Part 1: Sleazy Histories
Pandering to the “Goon Trade”: Framing the Sexploitation Audience through
Advertising / Eric Schaefer 19
Women’s Cinema as Counterphobic Cinema: Doris Wishman as the Last Auteur /
Tania Modleski 47
Representing (Repressed) Homosexuality in the Pre-Stonewall Hollywood
Homo-Military Film / Harry M. Benshoff 71
Pornography and Documentary: Narrating the Alibi / Chuck Kleinhans 96
El signo de la muerte and the Birth of a Genre: Origins and Anatomy of the
Aztec Horror Film 121
Art House or House of Exorcism? The Changing Distribution and Reception
Contexts of Mario Bava’s Lisa and the Devil / Kevin Heffernan 144
Part 2: Sleazy Afterlives
Troubling Synthesis: The Horrific Sights and Incompatible Sounds of Video
Nasties / Kay Dickinson 167
The Sleazy Pedigree of Todd Haynes / Joan Hawkins 189
Para-Paracinema: The Friday the 13th Film Series as Other to Trash and
Legitimate Film Cultures / Matt Hills 219
Boredom, Spasmo, and the Italian System / Chris Fujiwara 240
Pure Quidditas or Geek Chic? Cultism as Discernment / Greg Taylor 259
Movies: A Century of Failure / Jeffrey Sconce 273
Selected Bibliography 311
Contributors 321
Index 325
Acknowledgments vii
Introduction 1
Part 1: Sleazy Histories
Pandering to the “Goon Trade”: Framing the Sexploitation Audience through
Advertising / Eric Schaefer 19
Women’s Cinema as Counterphobic Cinema: Doris Wishman as the Last Auteur /
Tania Modleski 47
Representing (Repressed) Homosexuality in the Pre-Stonewall Hollywood
Homo-Military Film / Harry M. Benshoff 71
Pornography and Documentary: Narrating the Alibi / Chuck Kleinhans 96
El signo de la muerte and the Birth of a Genre: Origins and Anatomy of the
Aztec Horror Film 121
Art House or House of Exorcism? The Changing Distribution and Reception
Contexts of Mario Bava’s Lisa and the Devil / Kevin Heffernan 144
Part 2: Sleazy Afterlives
Troubling Synthesis: The Horrific Sights and Incompatible Sounds of Video
Nasties / Kay Dickinson 167
The Sleazy Pedigree of Todd Haynes / Joan Hawkins 189
Para-Paracinema: The Friday the 13th Film Series as Other to Trash and
Legitimate Film Cultures / Matt Hills 219
Boredom, Spasmo, and the Italian System / Chris Fujiwara 240
Pure Quidditas or Geek Chic? Cultism as Discernment / Greg Taylor 259
Movies: A Century of Failure / Jeffrey Sconce 273
Selected Bibliography 311
Contributors 321
Index 325
Introduction 1
Part 1: Sleazy Histories
Pandering to the “Goon Trade”: Framing the Sexploitation Audience through
Advertising / Eric Schaefer 19
Women’s Cinema as Counterphobic Cinema: Doris Wishman as the Last Auteur /
Tania Modleski 47
Representing (Repressed) Homosexuality in the Pre-Stonewall Hollywood
Homo-Military Film / Harry M. Benshoff 71
Pornography and Documentary: Narrating the Alibi / Chuck Kleinhans 96
El signo de la muerte and the Birth of a Genre: Origins and Anatomy of the
Aztec Horror Film 121
Art House or House of Exorcism? The Changing Distribution and Reception
Contexts of Mario Bava’s Lisa and the Devil / Kevin Heffernan 144
Part 2: Sleazy Afterlives
Troubling Synthesis: The Horrific Sights and Incompatible Sounds of Video
Nasties / Kay Dickinson 167
The Sleazy Pedigree of Todd Haynes / Joan Hawkins 189
Para-Paracinema: The Friday the 13th Film Series as Other to Trash and
Legitimate Film Cultures / Matt Hills 219
Boredom, Spasmo, and the Italian System / Chris Fujiwara 240
Pure Quidditas or Geek Chic? Cultism as Discernment / Greg Taylor 259
Movies: A Century of Failure / Jeffrey Sconce 273
Selected Bibliography 311
Contributors 321
Index 325