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marriage by transforming himself from a hustler on the streets of East Long Beach to, of all things, a marketing trainee in the straight world. Ide sets us up to expect Dodson's foray into button-down business culture to deliver the comedy, leaving all the gut-churning for Isaiah's journey, which takes him to a small town in the woods near Lake Tahoe, where he finds not
peace but more hapless souls in need of help (serial killers lurk). On the surface, our expectations are met in both cases, but mixmaster Ide's compulsion to blend light and dark (Isaiah's confrontation with the serial killers, while gruesome, takes the form of "a slapstick movie shot in a burning insane asylum") affects the two plots in surprising ways, again producing an emotion-rich form of character-driven tragicomedy, but one in which peril forever loiters in the
shallows.
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