Photographers often depict Ireland with bucolic rural landscapes, but during the twentieth century, men and women across Ireland picked up cameras to create and curate photographs revealing more complex and diverse images of Ireland. Snapshot Stories Uses diverse photographic archives, both professional and personal, to explore these stories.
Photographers often depict Ireland with bucolic rural landscapes, but during the twentieth century, men and women across Ireland picked up cameras to create and curate photographs revealing more complex and diverse images of Ireland. Snapshot Stories Uses diverse photographic archives, both professional and personal, to explore these stories.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Erika Hanna was born in Dublin and grew up in Ireland, Britain, and the United States. She has held positions at the Universities of Oxford, Leicester, and Edinburgh, and is currently Senior Lecturer in Modern History at the University of Bristol.
Inhaltsangabe
* Introduction: Visuality Photography and the Social History of Ireland 1922-2000 * 1: Beaches and Sunlight: Photograph Albums and Youthful Memories c. 1922-1950 * 2: Clasped Hands and Clear Complexions: Studio Portraits and Respectability 1922-1960 * 3: Dark Rooms and Developing Fluid: Amateur Photographers Photographic Clubs and the Irish Landscape 1945-1970 * 4: Community and Photography: Empowerment Activism and the Image 1970-1990 * 5: Flesh and Blood: Violence Truth and the Troubles 1965-75 * 6: Power and Place: Documentary Photography Politics and Perspective 1970-1995 * Conclusion: Digital Analogue Images and the Appearance of Historical Distance * Bibliography
* Introduction: Visuality Photography and the Social History of Ireland 1922-2000 * 1: Beaches and Sunlight: Photograph Albums and Youthful Memories c. 1922-1950 * 2: Clasped Hands and Clear Complexions: Studio Portraits and Respectability 1922-1960 * 3: Dark Rooms and Developing Fluid: Amateur Photographers Photographic Clubs and the Irish Landscape 1945-1970 * 4: Community and Photography: Empowerment Activism and the Image 1970-1990 * 5: Flesh and Blood: Violence Truth and the Troubles 1965-75 * 6: Power and Place: Documentary Photography Politics and Perspective 1970-1995 * Conclusion: Digital Analogue Images and the Appearance of Historical Distance * Bibliography
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