As a comprehensive guide to learning, rehearsing, and performing vocal chamber music, this volume explores such critical skills as choosing repertoire appropriate for one's voice type, communicating with your ensemble, performance style, preparing for a successful rehearsal, staging considerations, and recital programming.
As a comprehensive guide to learning, rehearsing, and performing vocal chamber music, this volume explores such critical skills as choosing repertoire appropriate for one's voice type, communicating with your ensemble, performance style, preparing for a successful rehearsal, staging considerations, and recital programming.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Susan Hochmiller is assistant professor of voice at the Sunderman Conservatory of Music at Gettysburg College and director of Orvieto Musica's Art of Song summer vocal chamber music festival in Orvieto, Italy. She is an avid recitalist and has performed chamber music in Italy and across the United States. An active member of NATS since 2007, Hochmiller was one of twelve voice teachers from the United States and Canada selected to participate in the prestigious 2012 NATS Intern Program, and she has served as president of the Allegheny Mountain Chapter since 2016.
Inhaltsangabe
Chapter 1 A Brief History of Chamber Music Chapter 2 Why Sing Chamber Music? Chapter 3 How to Program Vocal Chamber Music Chapter 4 Breathe with the Bow: Communicating with Instrumentalists Chapter 5 Stylistic Considerations Chapter 6 Pedagogical Advantages of Using Vocal Chamber Music in the Voice Studio Chapter 7 Singing and Voice Science, Scott McCoy Chapter 8 Vocal Health for the Chamber Music Singer, Wendy LeBorgne Appendix Introductory List of Art Song Duets, Trios, and Quartets Appendix Selected Journal of Singing Articles, James Maroney and Joan Frey Boytim
Chapter 1 A Brief History of Chamber Music Chapter 2 Why Sing Chamber Music? Chapter 3 How to Program Vocal Chamber Music Chapter 4 Breathe with the Bow: Communicating with Instrumentalists Chapter 5 Stylistic Considerations Chapter 6 Pedagogical Advantages of Using Vocal Chamber Music in the Voice Studio Chapter 7 Singing and Voice Science, Scott McCoy Chapter 8 Vocal Health for the Chamber Music Singer, Wendy LeBorgne Appendix Introductory List of Art Song Duets, Trios, and Quartets Appendix Selected Journal of Singing Articles, James Maroney and Joan Frey Boytim
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