This book introduces the remarkably rich and varied repertoire of early vocal music, focusing primarily on the 17th and early 18th centuries, within a historical context and explores the techniques the modern singer will need to perform and enjoy the repertoire.
This book introduces the remarkably rich and varied repertoire of early vocal music, focusing primarily on the 17th and early 18th centuries, within a historical context and explores the techniques the modern singer will need to perform and enjoy the repertoire.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Martha Elliott has been a member of the Performance Faculty at Princeton University since 1985. She has taught courses and workshops in early music performance, and coached baroque opera productions at Princeton and elsewhere. Her performing career has featured a wide variety of repertoire and styles including a specialty in early music.
Inhaltsangabe
Chapter 1 Historical Overview of the Repertoire Chapter 2 Singing and Voice Science, Scott McCoy Chapter 3 Vocal Health for the Early Music Singer, Wendy LeBorgne Chapter 4 Grandfathers of Voice Pedagogy Chapter 5 Elements of Baroque Style Chapter 6 It's All Chamber Music Chapter 7 Know the Score Chapter 8 Using All the Tools Appendix A So You Want to Be a Consort Singer?, Gabriel Crouch Appendix B Singing with Players, Mary Benton, Patricia Hlafter, Judith Klotz & Amy Warren Appendix C Approximating the Past, Jamie Reuland
Chapter 1 Historical Overview of the Repertoire Chapter 2 Singing and Voice Science, Scott McCoy Chapter 3 Vocal Health for the Early Music Singer, Wendy LeBorgne Chapter 4 Grandfathers of Voice Pedagogy Chapter 5 Elements of Baroque Style Chapter 6 It's All Chamber Music Chapter 7 Know the Score Chapter 8 Using All the Tools Appendix A So You Want to Be a Consort Singer?, Gabriel Crouch Appendix B Singing with Players, Mary Benton, Patricia Hlafter, Judith Klotz & Amy Warren Appendix C Approximating the Past, Jamie Reuland
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