This volumes provides singers a comprehensive guide to the history of and performance techniques for spirituals. Along with Jones's own considerations of dialect, improvisation, and other technical considerations, contributed chapters address collaborative piano, studio teaching, choral arrangement, and voice science and health.
This volumes provides singers a comprehensive guide to the history of and performance techniques for spirituals. Along with Jones's own considerations of dialect, improvisation, and other technical considerations, contributed chapters address collaborative piano, studio teaching, choral arrangement, and voice science and health.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Randye Jones was first exposed to spirituals at her hometown church in Greensboro, North Carolina. After studying at Bennett College, Florida State University, and the University of Iowa, Jones became a touring performer and researcher dedicated to the history of spirituals. She has served as a panelist at events such as the Research, Education, Activism and Performance (REAP) National Conference on Spirituals, African American Art Song Alliance Conference, the National Association of Negro Musicians conference, and the Phenomenon of Singing International Symposium. For over 25 years, she has served on the library staffs at Florida State University, George Washington University, and Grinnell College.
Inhaltsangabe
Foreword George Shirley Chapter 1: What Are Spirituals? Chapter 2: From Cotton Field to Concert Hall Chapter 3: Pioneers of the Concert Spiritual Chapter 4: Song Literature Chapter 5: Using Dialect in Performance Chapter 6: Must You Be Black to Sing Spirituals? Chapter 7: Collaborating with Pianists Casey Robards Chapter 8: African American Art Song Emery Stephens & Caroline Helton Chapter 9: Spirituals: Interpretative Guidelines for Studio Teachers Barbara Steinhaus Chapter 10: Choral Arrangements of Spirituals Patricia J. Trice Chapter 11: Spirituals: America's Contribution to World Sacred Music Timothy W. Sharpe Chapter 12: Gaining Perspective: A Linguistic Approach to Dialect Felicia Barber Chapter 13: Singing and Voice Science Scott McCoy Chapter 14: Vocal Health for Singers Wendy LeBorgne
Foreword George Shirley Chapter 1: What Are Spirituals? Chapter 2: From Cotton Field to Concert Hall Chapter 3: Pioneers of the Concert Spiritual Chapter 4: Song Literature Chapter 5: Using Dialect in Performance Chapter 6: Must You Be Black to Sing Spirituals? Chapter 7: Collaborating with Pianists Casey Robards Chapter 8: African American Art Song Emery Stephens & Caroline Helton Chapter 9: Spirituals: Interpretative Guidelines for Studio Teachers Barbara Steinhaus Chapter 10: Choral Arrangements of Spirituals Patricia J. Trice Chapter 11: Spirituals: America's Contribution to World Sacred Music Timothy W. Sharpe Chapter 12: Gaining Perspective: A Linguistic Approach to Dialect Felicia Barber Chapter 13: Singing and Voice Science Scott McCoy Chapter 14: Vocal Health for Singers Wendy LeBorgne
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