A Sociable Moment is the first book to examine the rise of opera in Siena during the Baroque. It focuses both on opera as a manifestation of civic self-fashioning and sociability, especially in pastoral works promoted by the expatriate Chigi family, and opera as business under the impresario Girolamo Gigli.
A Sociable Moment is the first book to examine the rise of opera in Siena during the Baroque. It focuses both on opera as a manifestation of civic self-fashioning and sociability, especially in pastoral works promoted by the expatriate Chigi family, and opera as business under the impresario Girolamo Gigli.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Colleen Reardon is a Professor of Music at the University of California, Irvine. She is a devoted topo d'archivio (archive rat) whose research centers on musical culture in early modern Siena. She enjoys teaching music history classes of all stripes, including specialized courses on Jane Austen and Music, Film Music, and the Musicals of Stephen Sondheim. When not teaching or doing research, she can be found devouring mystery novels.
Inhaltsangabe
Table of Contents Acknowledgments Abbreviations Introduction Chapter 1: The Curtain Rises Chapter 2: A Festive Culture and its Sociable Network Chapter 3: The Chigi between Rome and Siena Chapter 4: A Princess Comes to Town Chapter 5: Siena, the Chigi, and the Pastoral Documents Chapter 6: Pastoral Reflections, Political Drama, and the End of an Era Chapter 7: The Rozzi and Opera in the 1690s Documents Chapter 8: Innocence Recognized and Cammilla Revived Documents Chapter 9: Gigli's Last Bow and the Return of the Pastoral Documents Appendix: Chronology of Opera in Siena, 1669-1704 Bibliography
Table of Contents Acknowledgments Abbreviations Introduction Chapter 1: The Curtain Rises Chapter 2: A Festive Culture and its Sociable Network Chapter 3: The Chigi between Rome and Siena Chapter 4: A Princess Comes to Town Chapter 5: Siena, the Chigi, and the Pastoral Documents Chapter 6: Pastoral Reflections, Political Drama, and the End of an Era Chapter 7: The Rozzi and Opera in the 1690s Documents Chapter 8: Innocence Recognized and Cammilla Revived Documents Chapter 9: Gigli's Last Bow and the Return of the Pastoral Documents Appendix: Chronology of Opera in Siena, 1669-1704 Bibliography
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