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Argument on the functionality of literature has continued to resonate. African writers have dismissed the concept of art for art s sake as deodorized dog shit ,insisting that art must address socio-political realities. African writers are seen as the voice of vision ,of their people. What voice or language,then, should the African writer use;impeccable foreign language,and fail to reach the majority of Africans who lack western education? Or ethnic language in a multiracial continent like Africa and still fail,incidentally,toreach yet a majority of the peoples of Africa? Ola Rotimi…mehr

Produktbeschreibung
Argument on the functionality of literature has continued to resonate. African writers have dismissed the concept of art for art s sake as deodorized dog shit ,insisting that art must address socio-political realities. African writers are seen as the voice of vision ,of their people. What voice or language,then, should the African writer use;impeccable foreign language,and fail to reach the majority of Africans who lack western education? Or ethnic language in a multiracial continent like Africa and still fail,incidentally,toreach yet a majority of the peoples of Africa? Ola Rotimi successfully addressed the socio-political and economic realities of Nigeria cum Africa,and toned down the English language,in order to make it accessible.This book has analysed Rotimi s IF...A TRAGEDY OF THE RULED,HOPES OF THE LIVING DEAD,OUR HUSBAND HAS GONE MAD AGAIN,and MAN TALK, WOMAN TALK because the texts exude remarkable commitment,on the writer s part,to issues of societal relevance and significance. Scholars and students of African literature and indeed anybody interested in the socio-political realities of post-colonial Africa should find this book very helpful.
Autorenporträt
Oluchi J.Igili:Estudió Artes Teatrales en la Universidad de Port Harcourt (Nigeria) y obtuvo un Máster en Literatura en la Universidad Adekunle Ajasin, Akungba Akoko (Nigeria), donde actualmente enseña drama, prosa, teoría y crítica. Como dramaturga y escritora creativa, sus intereses de investigación incluyen la crítica social, el drama aplicado, el feminismo y la crítica literaria.