First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. This new edition of a classic work includes a contemporary introduction.
First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. This new edition of a classic work includes a contemporary introduction.
List of illustrations General introduction Introduction to volume I I. Prehistoric times 1. Old Stone Age: magic and naturalism 2. New Stone Age: animism and geometrism 3. The artist as magician and priest: art as a profession and domestic craft II. Ancient-Oriental urban cultures 1. Static and dynamic elements in Ancient-Oriental art 2. The status of the artist and the organization of artistic production 3. The stereotyping of art in the Middle Kingdom 4. Naturalism in the age of Akhenaton 5. Mesopotamia 6. Crete III. Greece and Rome 1. The heroic and the Homeric ages 2. The archaic style and art at the courts of the Tyrants 3. Classical art and democracy 4. The age of enlightenment in Greece 5. The Hellenistic age 6. The Empire and the end of the ancient world 7. Poets and artists in the ancient world IV. The Middle Ages 1. The spirituality of early Christian art 2. The artistic style of Byzantine Caesaropapism 3. Causes and consequences of iconoclasm 4. Art from the age of the migrations to the Carolingian Renaissance 5. The epic poets and their public 6. The organization of artistic production in the monasteries 7. Feudalism and the Romanesque style 8. The romanticism of court chivalry 9. The dualism of Gothic art 10. Lodge and guild 11. The middle-class art of the late Gothic period Notes Index
List of illustrations General introduction Introduction to volume I I. Prehistoric times 1. Old Stone Age: magic and naturalism 2. New Stone Age: animism and geometrism 3. The artist as magician and priest: art as a profession and domestic craft II. Ancient-Oriental urban cultures 1. Static and dynamic elements in Ancient-Oriental art 2. The status of the artist and the organization of artistic production 3. The stereotyping of art in the Middle Kingdom 4. Naturalism in the age of Akhenaton 5. Mesopotamia 6. Crete III. Greece and Rome 1. The heroic and the Homeric ages 2. The archaic style and art at the courts of the Tyrants 3. Classical art and democracy 4. The age of enlightenment in Greece 5. The Hellenistic age 6. The Empire and the end of the ancient world 7. Poets and artists in the ancient world IV. The Middle Ages 1. The spirituality of early Christian art 2. The artistic style of Byzantine Caesaropapism 3. Causes and consequences of iconoclasm 4. Art from the age of the migrations to the Carolingian Renaissance 5. The epic poets and their public 6. The organization of artistic production in the monasteries 7. Feudalism and the Romanesque style 8. The romanticism of court chivalry 9. The dualism of Gothic art 10. Lodge and guild 11. The middle-class art of the late Gothic period Notes Index
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