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Drawing upon an extraordinary array of films, noted scholar Emma Widdis shows how Soviet cinema, as it evolved from the revolutionary avant-garde to Socialist Realism, gradually shifted its materialist agenda from emphasizing the external senses to instilling the appropriate internal senses (consciousness, emotions) in the new Soviet subject.

Produktbeschreibung
Drawing upon an extraordinary array of films, noted scholar Emma Widdis shows how Soviet cinema, as it evolved from the revolutionary avant-garde to Socialist Realism, gradually shifted its materialist agenda from emphasizing the external senses to instilling the appropriate internal senses (consciousness, emotions) in the new Soviet subject.
Autorenporträt
Emma Widdis is Reader in Russian Studies at the University of Cambridge and a Fellow of Trinity College. She is author of Visions of a New Land: Soviet Cinema from the Revolution to the Second World War and Alexander Medvedkin , and editor (with Simon Franklin) of National Identity in Russian Culture .