Based on new archival research, this book uniquely presents a fresh interrogation of how, among London's fashionable society, dancing in the late nineteenth and early twentieth centuries was variously a means of social modelling, change, conformity and creative individual expression.
'The strength of this book lies in the variety of facets of social dance in the late Victorian/early twentieth century which it addresses. This range of content culminates in a rich picture of time, place, people, their dances and their dancing.' - Alexandra Carter, Emeritus Professor in Dance Studies, University of Middlesex, UK