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Edward Berger is a writer/photographer, whose other books include Benny Carter: A Life in American Music (with Morroe Berger and James Patrick) and Bassically Speaking: An Oral History of George Duvivier.¿ He produced two Grammy-winning albums for jazz great Benny Carter, and has been a long-time co-host of Jazz from the Archives on WBGO-FM, Newark.¿ He retired as Associate Director of the Rutgers Institute of Jazz Studies in 2011, but continues to serve IJS as a consultant.
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Edward Berger is a writer/photographer, whose other books include Benny Carter: A Life in American Music (with Morroe Berger and James Patrick) and Bassically Speaking: An Oral History of George Duvivier.¿ He produced two Grammy-winning albums for jazz great Benny Carter, and has been a long-time co-host of Jazz from the Archives on WBGO-FM, Newark.¿ He retired as Associate Director of the Rutgers Institute of Jazz Studies in 2011, but continues to serve IJS as a consultant.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Temple University Press
- Seitenzahl: 400
- Erscheinungstermin: 28. April 2014
- Englisch
- Abmessung: 236mm x 164mm x 35mm
- Gewicht: 696g
- ISBN-13: 9781439911273
- ISBN-10: 1439911274
- Artikelnr.: 40034811
- Verlag: Temple University Press
- Seitenzahl: 400
- Erscheinungstermin: 28. April 2014
- Englisch
- Abmessung: 236mm x 164mm x 35mm
- Gewicht: 696g
- ISBN-13: 9781439911273
- ISBN-10: 1439911274
- Artikelnr.: 40034811
Edward Berger is a writer/photographer, whose other books include Benny Carter: A Life in American Music (with Morroe Berger and James Patrick) and Bassically Speaking: An Oral History of George Duvivier. He produced two Grammy-winning albums for jazz great Benny Carter, and has been a long-time co-host of Jazz from the Archives on WBGO-FM, Newark. He retired as Associate Director of the Rutgers Institute of Jazz Studies in 2011, but continues to serve IJS as a consultant.
Foreword by Wynton Marsalis
Preface
Acknowledgments
1 The Making of a Musician: Philadelphia (1922-1938)
Musical Beginnings
Colored Kiddies of the Air: "Little Louis" Meets Pops
William T. Tilden Junior High School
2 From Student to Pro (1938-1943)
Mastbaum
The Harlem Dictators
Leaving Home: Les Hite
Lionel Hampton
3 Integration of the Armed Forces: The Montford Point Marines (1943-1946)
4 Big Band Odyssey (1946-1950)
Hampton Redux
Jimmie Lunceford
Dizzy Gillespie
Lucky Millinder
Sam Donahue
Herbie Fields
5 New York (1950-1953)
Noble Sissle and the Diamond Horseshoe
Breaking Barriers on Broadway
Wilder on Broadway
Manhattan School of Music
6 On the Road Again: Count Basie (1953-1954)
7 Back on Broadway and into the Studios (1954-1957)
Silk Stockings and Most Happy Fella
The Urban League: Integrating the Music Industry
Developing a Style: Recordings in the 1950s
From Mainstream to Third Stream
8 On Staff: African American Musicians and the Network Orchestras
(1957-1964)
Wilder Joins ABC
The Studio Life
The Urban League: Integrating the Network Orchestras
Record Dates: Sideman and Leader
"The Sound of Jazz"
Benny Goodman: USSR Tour
Miss America Pageant
Family Life
9 A Dream Realized: Return to Classical Music (1964-1974)
African Americans in Symphony Orchestras: The Beginnings of Change
The Symphony of the New World
The 1969 Human Rights Commission Hearings
Earl Madison's Reflections
Other Classical Activities
Wilder and Wilder: Joe and Alec
1960s Recordings
10 Freelance (1974-1990)
The End of the Staff Orchestras
Peter Duchin and the Society Orchestra Phenomenon
Return to Broadway
1980s Recordings
11 New Outlets: Jazz Repertory and Jazz Parties (1990-2000)
Lincoln Center Jazz Orchestra
Smithsonian Jazz Masterworks Orchestra
Garrison Keillor and A Prairie Home Companion
The Jazz Party Phenomenon
12 Passing It On: Teaching, Awards, and Honors (2000-)
Juilliard
Awards and Honors
The Reluctant Leader
Recordings in the New Millennium: Evening Star
Arbors Records and the Statesmen of Jazz
Coda
Notes
Discography/Solography
Index
Preface
Acknowledgments
1 The Making of a Musician: Philadelphia (1922-1938)
Musical Beginnings
Colored Kiddies of the Air: "Little Louis" Meets Pops
William T. Tilden Junior High School
2 From Student to Pro (1938-1943)
Mastbaum
The Harlem Dictators
Leaving Home: Les Hite
Lionel Hampton
3 Integration of the Armed Forces: The Montford Point Marines (1943-1946)
4 Big Band Odyssey (1946-1950)
Hampton Redux
Jimmie Lunceford
Dizzy Gillespie
Lucky Millinder
Sam Donahue
Herbie Fields
5 New York (1950-1953)
Noble Sissle and the Diamond Horseshoe
Breaking Barriers on Broadway
Wilder on Broadway
Manhattan School of Music
6 On the Road Again: Count Basie (1953-1954)
7 Back on Broadway and into the Studios (1954-1957)
Silk Stockings and Most Happy Fella
The Urban League: Integrating the Music Industry
Developing a Style: Recordings in the 1950s
From Mainstream to Third Stream
8 On Staff: African American Musicians and the Network Orchestras
(1957-1964)
Wilder Joins ABC
The Studio Life
The Urban League: Integrating the Network Orchestras
Record Dates: Sideman and Leader
"The Sound of Jazz"
Benny Goodman: USSR Tour
Miss America Pageant
Family Life
9 A Dream Realized: Return to Classical Music (1964-1974)
African Americans in Symphony Orchestras: The Beginnings of Change
The Symphony of the New World
The 1969 Human Rights Commission Hearings
Earl Madison's Reflections
Other Classical Activities
Wilder and Wilder: Joe and Alec
1960s Recordings
10 Freelance (1974-1990)
The End of the Staff Orchestras
Peter Duchin and the Society Orchestra Phenomenon
Return to Broadway
1980s Recordings
11 New Outlets: Jazz Repertory and Jazz Parties (1990-2000)
Lincoln Center Jazz Orchestra
Smithsonian Jazz Masterworks Orchestra
Garrison Keillor and A Prairie Home Companion
The Jazz Party Phenomenon
12 Passing It On: Teaching, Awards, and Honors (2000-)
Juilliard
Awards and Honors
The Reluctant Leader
Recordings in the New Millennium: Evening Star
Arbors Records and the Statesmen of Jazz
Coda
Notes
Discography/Solography
Index
Foreword by Wynton Marsalis
Preface
Acknowledgments
1 The Making of a Musician: Philadelphia (1922-1938)
Musical Beginnings
Colored Kiddies of the Air: "Little Louis" Meets Pops
William T. Tilden Junior High School
2 From Student to Pro (1938-1943)
Mastbaum
The Harlem Dictators
Leaving Home: Les Hite
Lionel Hampton
3 Integration of the Armed Forces: The Montford Point Marines (1943-1946)
4 Big Band Odyssey (1946-1950)
Hampton Redux
Jimmie Lunceford
Dizzy Gillespie
Lucky Millinder
Sam Donahue
Herbie Fields
5 New York (1950-1953)
Noble Sissle and the Diamond Horseshoe
Breaking Barriers on Broadway
Wilder on Broadway
Manhattan School of Music
6 On the Road Again: Count Basie (1953-1954)
7 Back on Broadway and into the Studios (1954-1957)
Silk Stockings and Most Happy Fella
The Urban League: Integrating the Music Industry
Developing a Style: Recordings in the 1950s
From Mainstream to Third Stream
8 On Staff: African American Musicians and the Network Orchestras
(1957-1964)
Wilder Joins ABC
The Studio Life
The Urban League: Integrating the Network Orchestras
Record Dates: Sideman and Leader
"The Sound of Jazz"
Benny Goodman: USSR Tour
Miss America Pageant
Family Life
9 A Dream Realized: Return to Classical Music (1964-1974)
African Americans in Symphony Orchestras: The Beginnings of Change
The Symphony of the New World
The 1969 Human Rights Commission Hearings
Earl Madison's Reflections
Other Classical Activities
Wilder and Wilder: Joe and Alec
1960s Recordings
10 Freelance (1974-1990)
The End of the Staff Orchestras
Peter Duchin and the Society Orchestra Phenomenon
Return to Broadway
1980s Recordings
11 New Outlets: Jazz Repertory and Jazz Parties (1990-2000)
Lincoln Center Jazz Orchestra
Smithsonian Jazz Masterworks Orchestra
Garrison Keillor and A Prairie Home Companion
The Jazz Party Phenomenon
12 Passing It On: Teaching, Awards, and Honors (2000-)
Juilliard
Awards and Honors
The Reluctant Leader
Recordings in the New Millennium: Evening Star
Arbors Records and the Statesmen of Jazz
Coda
Notes
Discography/Solography
Index
Preface
Acknowledgments
1 The Making of a Musician: Philadelphia (1922-1938)
Musical Beginnings
Colored Kiddies of the Air: "Little Louis" Meets Pops
William T. Tilden Junior High School
2 From Student to Pro (1938-1943)
Mastbaum
The Harlem Dictators
Leaving Home: Les Hite
Lionel Hampton
3 Integration of the Armed Forces: The Montford Point Marines (1943-1946)
4 Big Band Odyssey (1946-1950)
Hampton Redux
Jimmie Lunceford
Dizzy Gillespie
Lucky Millinder
Sam Donahue
Herbie Fields
5 New York (1950-1953)
Noble Sissle and the Diamond Horseshoe
Breaking Barriers on Broadway
Wilder on Broadway
Manhattan School of Music
6 On the Road Again: Count Basie (1953-1954)
7 Back on Broadway and into the Studios (1954-1957)
Silk Stockings and Most Happy Fella
The Urban League: Integrating the Music Industry
Developing a Style: Recordings in the 1950s
From Mainstream to Third Stream
8 On Staff: African American Musicians and the Network Orchestras
(1957-1964)
Wilder Joins ABC
The Studio Life
The Urban League: Integrating the Network Orchestras
Record Dates: Sideman and Leader
"The Sound of Jazz"
Benny Goodman: USSR Tour
Miss America Pageant
Family Life
9 A Dream Realized: Return to Classical Music (1964-1974)
African Americans in Symphony Orchestras: The Beginnings of Change
The Symphony of the New World
The 1969 Human Rights Commission Hearings
Earl Madison's Reflections
Other Classical Activities
Wilder and Wilder: Joe and Alec
1960s Recordings
10 Freelance (1974-1990)
The End of the Staff Orchestras
Peter Duchin and the Society Orchestra Phenomenon
Return to Broadway
1980s Recordings
11 New Outlets: Jazz Repertory and Jazz Parties (1990-2000)
Lincoln Center Jazz Orchestra
Smithsonian Jazz Masterworks Orchestra
Garrison Keillor and A Prairie Home Companion
The Jazz Party Phenomenon
12 Passing It On: Teaching, Awards, and Honors (2000-)
Juilliard
Awards and Honors
The Reluctant Leader
Recordings in the New Millennium: Evening Star
Arbors Records and the Statesmen of Jazz
Coda
Notes
Discography/Solography
Index