Some Notes on Early Woodcut Books, With a Chapter on Illuminated Manuscripts - Morris, William; Cu-Banc, Elston Press Bkp; Conwell, Clarke
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute…mehr

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Autorenporträt
William Morris (1834–1896) was a seminal figure in the British Arts and Crafts movement and a prolific writer, designer, and socialist. His influence touched many aspects of design and art in the late 19th century. While widely recognized for his decorative arts accomplishments and his social and political activism, Morris was deeply enamored with medieval literature and the art of bookmaking. His exploration in the history of the book culminated in texts such as 'Some Notes on Early Woodcut Books, with a Chapter on Illuminated Manuscripts,' wherein Morris channels his passion and scholarship into examining the craft and aesthetics of book production during the incunabula period and the Middle Ages. His literary style is rooted in a romantic revivalism, and his writings often manifest a yearning for the beauty and craft of the past, as well as an ambition to restore those values in contemporary society. Morris' work in this area was not merely an academic pursuit but part of a larger philosophy that sought to integrate beauty with utility in everyday objects—a principle that laid the groundwork for modern design philosophies. His commitment to artisanal excellence set a standard in both the literary and decorative arts, reinforcing the ideals of the Arts and Crafts movement in opposition to industrial mass production.