Something Complete and Great
The Centennial Study of My Ántonia
Herausgeber: Humes, Holly Blackford
Something Complete and Great
The Centennial Study of My Ántonia
Herausgeber: Humes, Holly Blackford
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This volume situates My Ántonia as a novel that stands the test of time by including in its pages an extraordinarily wide range of historical, cultural, literary, psychological, thematic, perceptual, and stylistic issues. The volume provides an analysis and assessment of complexities in the novel as well as its reception and legacy.
This volume situates My Ántonia as a novel that stands the test of time by including in its pages an extraordinarily wide range of historical, cultural, literary, psychological, thematic, perceptual, and stylistic issues. The volume provides an analysis and assessment of complexities in the novel as well as its reception and legacy.
Produktdetails
- Produktdetails
- The Fairleigh Dickinson University Press Series on Willa Cather
- Verlag: Fairleigh Dickinson University Press
- Seitenzahl: 320
- Erscheinungstermin: 13. Dezember 2017
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 618g
- ISBN-13: 9781683931256
- ISBN-10: 1683931254
- Artikelnr.: 49019361
- The Fairleigh Dickinson University Press Series on Willa Cather
- Verlag: Fairleigh Dickinson University Press
- Seitenzahl: 320
- Erscheinungstermin: 13. Dezember 2017
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 618g
- ISBN-13: 9781683931256
- ISBN-10: 1683931254
- Artikelnr.: 49019361
Edited by Holly Blackford Humes - Contributions by Janis P Stout; Caterina Bernardini; Melissa J Homestead; Diane Prenatt; Sarah L Young; Martin Woodside; Thomas Fahy; Monroe Street; Fangyuan Xi; Jim Cody; Keiko Arai; Dana Woodcock and Zachary Tavlin
Introduction. "Cather's Sod House of Fiction," by Holly Blackford Part I.
Translation Chapter 1. "Willa Cather's Shifting Reactions to the Reception
of My Ántonia: What the Letters Tell Us," by Janis P. Stout Chapter 2.
"People in countries who read it in the strangest languages": the
International Reception of My Ántonia," by Caterina Bernardini Chapter 3.
"Lost in Translation: The Mother Tongue in My Ántonia," by Diane Prenatt
Part II. Tradition Chapter 4. "Live Property": Cather's 1926 Revisions to
the Introduction of My Ántonia and the Specter of Nineteenth-Century
Women's Regionalism," by Melissa J. Homestead Chapter 5. "Violence in the
Pastoral: Darkness in the Narrative Structure of My Ántonia," by Sarah L.
Young Part III. Transgender Chapter 6. "Boyhood and the Frontier: Nostalgia
and Play in My Ántonia," by Martin Woodside Chapter 7. "The Nebraskan
Neverland: The Archeology of Children's Fantasy Fiction in My Ántonia," by
Holly Blackford Chapter 8. "'Obliterating Strangeness': Cather, Capote, and
the Burden of My Ántonia," by Thomas Fahy Part III: Transhuman Chapter 9.
"Beyond Gender, Between Persons: Intersubjective Desire in My Ántonia," by
Monroe Street Chapter 10. "The Image of Nature in the Past in My Ántonia,"
by Fangyuan Xi Chapter 11. "My Ántonia: Keatsian Negative Capability and
the Dissolution of Boundaries," by Jim Cody Part IV: Transition Chapter 12.
"A Portrait of a Self-Made Woman: Lena Lingard in My Ántonia," by Keiko
Arai Chapter 13. "The Gift Economies of My Ántonia," by Dana Woodcock and
Zachary Tavlin Bibliography About the Contributors
Translation Chapter 1. "Willa Cather's Shifting Reactions to the Reception
of My Ántonia: What the Letters Tell Us," by Janis P. Stout Chapter 2.
"People in countries who read it in the strangest languages": the
International Reception of My Ántonia," by Caterina Bernardini Chapter 3.
"Lost in Translation: The Mother Tongue in My Ántonia," by Diane Prenatt
Part II. Tradition Chapter 4. "Live Property": Cather's 1926 Revisions to
the Introduction of My Ántonia and the Specter of Nineteenth-Century
Women's Regionalism," by Melissa J. Homestead Chapter 5. "Violence in the
Pastoral: Darkness in the Narrative Structure of My Ántonia," by Sarah L.
Young Part III. Transgender Chapter 6. "Boyhood and the Frontier: Nostalgia
and Play in My Ántonia," by Martin Woodside Chapter 7. "The Nebraskan
Neverland: The Archeology of Children's Fantasy Fiction in My Ántonia," by
Holly Blackford Chapter 8. "'Obliterating Strangeness': Cather, Capote, and
the Burden of My Ántonia," by Thomas Fahy Part III: Transhuman Chapter 9.
"Beyond Gender, Between Persons: Intersubjective Desire in My Ántonia," by
Monroe Street Chapter 10. "The Image of Nature in the Past in My Ántonia,"
by Fangyuan Xi Chapter 11. "My Ántonia: Keatsian Negative Capability and
the Dissolution of Boundaries," by Jim Cody Part IV: Transition Chapter 12.
"A Portrait of a Self-Made Woman: Lena Lingard in My Ántonia," by Keiko
Arai Chapter 13. "The Gift Economies of My Ántonia," by Dana Woodcock and
Zachary Tavlin Bibliography About the Contributors
Introduction. "Cather's Sod House of Fiction," by Holly Blackford Part I.
Translation Chapter 1. "Willa Cather's Shifting Reactions to the Reception
of My Ántonia: What the Letters Tell Us," by Janis P. Stout Chapter 2.
"People in countries who read it in the strangest languages": the
International Reception of My Ántonia," by Caterina Bernardini Chapter 3.
"Lost in Translation: The Mother Tongue in My Ántonia," by Diane Prenatt
Part II. Tradition Chapter 4. "Live Property": Cather's 1926 Revisions to
the Introduction of My Ántonia and the Specter of Nineteenth-Century
Women's Regionalism," by Melissa J. Homestead Chapter 5. "Violence in the
Pastoral: Darkness in the Narrative Structure of My Ántonia," by Sarah L.
Young Part III. Transgender Chapter 6. "Boyhood and the Frontier: Nostalgia
and Play in My Ántonia," by Martin Woodside Chapter 7. "The Nebraskan
Neverland: The Archeology of Children's Fantasy Fiction in My Ántonia," by
Holly Blackford Chapter 8. "'Obliterating Strangeness': Cather, Capote, and
the Burden of My Ántonia," by Thomas Fahy Part III: Transhuman Chapter 9.
"Beyond Gender, Between Persons: Intersubjective Desire in My Ántonia," by
Monroe Street Chapter 10. "The Image of Nature in the Past in My Ántonia,"
by Fangyuan Xi Chapter 11. "My Ántonia: Keatsian Negative Capability and
the Dissolution of Boundaries," by Jim Cody Part IV: Transition Chapter 12.
"A Portrait of a Self-Made Woman: Lena Lingard in My Ántonia," by Keiko
Arai Chapter 13. "The Gift Economies of My Ántonia," by Dana Woodcock and
Zachary Tavlin Bibliography About the Contributors
Translation Chapter 1. "Willa Cather's Shifting Reactions to the Reception
of My Ántonia: What the Letters Tell Us," by Janis P. Stout Chapter 2.
"People in countries who read it in the strangest languages": the
International Reception of My Ántonia," by Caterina Bernardini Chapter 3.
"Lost in Translation: The Mother Tongue in My Ántonia," by Diane Prenatt
Part II. Tradition Chapter 4. "Live Property": Cather's 1926 Revisions to
the Introduction of My Ántonia and the Specter of Nineteenth-Century
Women's Regionalism," by Melissa J. Homestead Chapter 5. "Violence in the
Pastoral: Darkness in the Narrative Structure of My Ántonia," by Sarah L.
Young Part III. Transgender Chapter 6. "Boyhood and the Frontier: Nostalgia
and Play in My Ántonia," by Martin Woodside Chapter 7. "The Nebraskan
Neverland: The Archeology of Children's Fantasy Fiction in My Ántonia," by
Holly Blackford Chapter 8. "'Obliterating Strangeness': Cather, Capote, and
the Burden of My Ántonia," by Thomas Fahy Part III: Transhuman Chapter 9.
"Beyond Gender, Between Persons: Intersubjective Desire in My Ántonia," by
Monroe Street Chapter 10. "The Image of Nature in the Past in My Ántonia,"
by Fangyuan Xi Chapter 11. "My Ántonia: Keatsian Negative Capability and
the Dissolution of Boundaries," by Jim Cody Part IV: Transition Chapter 12.
"A Portrait of a Self-Made Woman: Lena Lingard in My Ántonia," by Keiko
Arai Chapter 13. "The Gift Economies of My Ántonia," by Dana Woodcock and
Zachary Tavlin Bibliography About the Contributors