This book traces the often uncanny relationships between Irish- and Jewish-America, arguing for the centrality of these two diasporic groups to the development of American popular music, fiction, and especially drama.
This book traces the often uncanny relationships between Irish- and Jewish-America, arguing for the centrality of these two diasporic groups to the development of American popular music, fiction, and especially drama.
Stephen Watt is Professor of English, Theater, and Drama at Indiana University. His previous books include Beckett and Contemporary Irish Writing (Cambridge UP, 2009) and Ian Fleming and James Bond: The Cultural Politics of 007 (Indiana University Press, 2005).
Inhaltsangabe
Preface Acknowledgements Chapter One: Introduction: Performing the Irish Jewish Unconscious Chapter Two: The Cultural Work of Irish- and Jewish-American Melodrama Chapter Three: Allosemitism and the Performative Uncanny: Leah and Shylock, Svengali and the Count of Monte Cristo Chapter Four: The Jewish-Irish Modern American Drama Chapter Five: The New Wandering Rocks Bibliography
Preface Acknowledgements Chapter One: Introduction: Performing the Irish Jewish Unconscious Chapter Two: The Cultural Work of Irish- and Jewish-American Melodrama Chapter Three: Allosemitism and the Performative Uncanny: Leah and Shylock, Svengali and the Count of Monte Cristo Chapter Four: The Jewish-Irish Modern American Drama Chapter Five: The New Wandering Rocks Bibliography
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