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Poetry. "Owen Lewis's poems do us the huge favor of restoring a radical and essential strangeness to the so-called 'everyday.' He is a shaman riding upon the storm-split house, the family tree that wanders through Minsk, Brooklyn, and Jersey, the love-sculpted bedclothes, the parent grown perplexing, and the handwriting of the dead. Nothing that is human is alien to Lewis in these fine poems, which perform again and again the gutsy feat of stealing the graveyard flowers."--Patrick Donnelly

Produktbeschreibung
Poetry. "Owen Lewis's poems do us the huge favor of restoring a radical and essential strangeness to the so-called 'everyday.' He is a shaman riding upon the storm-split house, the family tree that wanders through Minsk, Brooklyn, and Jersey, the love-sculpted bedclothes, the parent grown perplexing, and the handwriting of the dead. Nothing that is human is alien to Lewis in these fine poems, which perform again and again the gutsy feat of stealing the graveyard flowers."--Patrick Donnelly
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Autorenporträt
Owen Lewis's poetry has appeared in The Mississippi Review, The Connecticut River Review, The Adirondack Review, The Four Way Review, The Cumberland Review and other publications and received awards from The Mississippi Review, The Connecticut River Review, The Amherst Writers and Artists press, and The London School of Jewish Studies. He is the author of two collections of poetry, March in San Miguel and Sometimes Full of Daylight. He is also the co-author of the multi-media work New Pictures at an Exhibition which received numerous concert performances. A physician and professor at Columbia University, he has also published widely in the professional literature. He currently teaches with the narrative medicine group at Columbia University and lectures on this work.