Andrew Davis is Dean of the College of the Arts at the University of Houston and author of Il Trittico, Turandot, and Puccini¿s Late Style (IUP).Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: Romantic Musical Discourse, Or, A Rhetoric Of Romantic Music Part I. Fragmentation and Atemporality 1. Fragmentation: Aesthetics of Nineteenth-Century Romanticism 2. Atemporality in Narrative and Music Part II. Structural and Rhetorical Strategies in Music with and Without Text 3. Music With Text: Two Slow Movements by Brahms 4. Music Without Text: Forms of Atemporality Part III. Brahms's Piano Sonatas 5. Treatment of the Medial Caesura 6. Treatment of the S-Space 7. Treatment of the Development and Recapitulation 8. Treatment of the Slow Introduction and Coda Conclusion Selected Bibliography Index
Introduction: Romantic Musical Discourse, Or, A Rhetoric Of Romantic Music Part I. Fragmentation and Atemporality 1. Fragmentation: Aesthetics of Nineteenth-Century Romanticism 2. Atemporality in Narrative and Music Part II. Structural and Rhetorical Strategies in Music with and Without Text 3. Music With Text: Two Slow Movements by Brahms 4. Music Without Text: Forms of Atemporality Part III. Brahms's Piano Sonatas 5. Treatment of the Medial Caesura 6. Treatment of the S-Space 7. Treatment of the Development and Recapitulation 8. Treatment of the Slow Introduction and Coda Conclusion Selected Bibliography Index
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