The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details. This title presents a study of recorded popular song, from the recordings of the 1920s onwards.
The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details. This title presents a study of recorded popular song, from the recordings of the 1920s onwards.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Allan F. Moore is Professor of Popular Music at the University of Surrey. Author of seven monographs and edited collections, he is series editor for Ashgate's Library of Essays in Popular Music, has been on the editorial board of Popular Music since 2000, and was founding co-editor of twentieth-century music. He has published nearly 100 articles and reviews in the field.
Inhaltsangabe
List of Figures and Tables List of Music Examples General Editor's Preface Acknowledgements 1 Methodology 2 Shape 3 Form 4 Delivery 5 Style 6 Friction 7 Persona 8 Reference 9 Belonging 10 Syntheses 11 Questions Bibliography Index of Recordings Cited Index of Names and Topics
List of Figures and Tables List of Music Examples General Editor's Preface Acknowledgements 1 Methodology 2 Shape 3 Form 4 Delivery 5 Style 6 Friction 7 Persona 8 Reference 9 Belonging 10 Syntheses 11 Questions Bibliography Index of Recordings Cited Index of Names and Topics
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