Songs of Hollywood - Furia, Philip; Patterson, Laurie
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The Songs of Hollywood tells the story of how songs have been presented in film - not just in musicals but in dramatic films as well - from the earliest talkies down to the present. While most songs have been done as performances by characters portraying singers, who thus have a realistic excuse to sing because they are rehearsing or performing for a Broadway show, another convention for presenting songs as integral, spontaneous expression of what a character feels at a particular dramatic moment gradually emerged in the early 1930s and flourished through the 1950s.
From "Over the Rainbow"…mehr

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Produktbeschreibung
The Songs of Hollywood tells the story of how songs have been presented in film - not just in musicals but in dramatic films as well - from the earliest talkies down to the present. While most songs have been done as performances by characters portraying singers, who thus have a realistic excuse to sing because they are rehearsing or performing for a Broadway show, another convention for presenting songs as integral, spontaneous expression of what a character feels at a particular dramatic moment gradually emerged in the early 1930s and flourished through the 1950s.
From "Over the Rainbow" to "Moon River" and Al Jolson to Barbra Streisand, The Songs of Hollywood traces the fascinating history of song in film, both in musicals and in dramatic movies such as High Noon. Well illustrated with 200 film stills, this delightful book sheds much light on some of Hollywood's best known and loved repertoire, explaining how the film industry made certain songs memorable and highlighting important moments of film history along the way. The book focuses on how the songs were presented in the movies, from early talkies where actors portrayed singers "performing" the songs, to the Golden Age in which characters burst into expressive, integral song--not as a "performance" but as a spontaneous outpouring of feeling. The book looks at song presentation in 1930s classics with Fred Astaire and Ginger Rogers and in 1940s gems with Judy Garland and Gene Kelly. The authors also look at the decline of the genre since 1960, when most original musicals were replaced by film versions of Broadway hits such as My Fair Lady.
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Autorenporträt
Philip Furia is a professor in the Department of Creative Writing at the University of North Carolina Wilmington. Laurie Patterson is a professor in the Department of Computer Science at the University of North Carolina Wilmington.