Songs of Jamaica - McKay, Claude
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Songs of Jamaica (1912) is a poetry collection by Claude McKay. Published before the poet left Jamaica for the United States, Songs of Jamaica is a pioneering collection of verse written in Jamaican Patois, the first of its kind. As a committed leftist, McKay was a keen observer of the Black experience in the Caribbean, the American South, and later in New York, where he gained a reputation during the Harlem Renaissance for celebrating the resilience and cultural achievement of the African American community while lamenting the poverty and violence they faced every day. "Quashie to Buccra,"…mehr

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Produktbeschreibung
Songs of Jamaica (1912) is a poetry collection by Claude McKay. Published before the poet left Jamaica for the United States, Songs of Jamaica is a pioneering collection of verse written in Jamaican Patois, the first of its kind. As a committed leftist, McKay was a keen observer of the Black experience in the Caribbean, the American South, and later in New York, where he gained a reputation during the Harlem Renaissance for celebrating the resilience and cultural achievement of the African American community while lamenting the poverty and violence they faced every day. "Quashie to Buccra," the opening poem, frames this schism in terms of labor, as one class labors to fulfill the desires of another: "You tas'e petater an' you say it sweet, / But you no know how hard we wuk fe it; / You want a basketful fe quattiewut, / 'Cause you no know how 'tiff de bush fe cut." Addressing himself to a white audience, he exposes the schism inherent to colonial society between white and black, rich and poor. Advising his white reader to question their privileged consumption, dependent as it is on the subjugation of Jamaica's black community, McKay warns that "hardship always melt away / Wheneber it comes roun' to reapin' day." This revolutionary sentiment carries throughout Songs of Jamaica, finding an echo in the brilliant poem "Whe' fe do?" Addressed to his own people, McKay offers hope for a brighter future to come: "We needn' fold we han' an' cry, / Nor vex we heart wid groan and sigh; / De best we can do is fe try / To fight de despair drawin' night: / Den we might conquer by an' by- / Dat we might do." Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.
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Autorenporträt
Claude McKay (1889-1948) was a Jamaican poet and novelist. Born in Sunny Ville, Jamaica, McKay was raised in a strict Baptist family alongside seven siblings. Sent to live with his brother Theo, a journalist, at the age of nine, McKay excelled in school while reading poetry in his free time. In 1912, he published his debut collection Songs of Jamaica, the first poems written in Jamaican Patois to appear in print. That same year, he moved to the United States to attend the Tuskegee Institute, though he eventually transferred to Kansas State University. Upon his arrival in the South, he was shocked by the racism and segregation experienced by Black Americans, which-combined with his reading of W. E. B. Du Bois' work-inspired him to write political poems and to explore the principles of socialism. He moved to New York in 1914 without completing his degree, turning his efforts to publishing poems in The Seven Arts and later The Liberator, where he would serve as co-executive editor from 1919 to 1922. Over the next decade, he would devote himself to communism and black radicalism, joining the Industrial Workers of the World, opposing the efforts of Marcus Garvey and the NAACP, and travelling to Britain and Russia to meet with communists and write articles for various leftist publications. McKay, a bisexual man, was also a major figure of the Harlem Renaissance, penning Harlem Shadows (1922), a successful collection of poems, and Home to Harlem (1928), an award-winning novel exploring Harlem's legendary nightlife.