Rebecca Maloy's Songs of Sacrifice argues that liturgical music--both texts and melodies--played a central role in the cultural renewal of early Medieval Iberia, with a chant repertory that was carefully designed to help build a society unified in the Nicene faith.
Rebecca Maloy's Songs of Sacrifice argues that liturgical music--both texts and melodies--played a central role in the cultural renewal of early Medieval Iberia, with a chant repertory that was carefully designed to help build a society unified in the Nicene faith.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Rebecca Maloy is Professor of Music and the University of Colorado Boulder, specializing in plainsong, liturgy and ritual, and the theory and analysis of early music. She is the author of Inside the Offertory: Aspects of Chronology and Transmission (2010), the co-author, with Emma Hornby, of Music and Meaning in Old Hispanic Lenten Chants (2013), and the co-editor, with Daniel J. DiCenso, of Chant, Liturgy, and the Inheritance of Rome (2017). Her current and recent work has been supported by funding from the European Research Council, the Arts and Humanities Research Council in the UK, the American Council of Learned Societies, and the Institute for Advanced Study in Princeton.
Inhaltsangabe
INTRODUCTION Old Hispanic Chant and the Visigothic Context CHAPTER 1 The Sacrificium CHAPTER 2 Liturgy, Patristic Learning, and Christian Formation CHAPTER 3 From Scripture to Chant: Biblical Exegesis and Communal Identity in the Sacrificia CHAPTER 4 The Melodic Language CHAPTER 5 Sounding Prophecy: Words and Music in the Sacrificia CHAPTER 6 The Broader Old Hispanic Tradition: Aspects of Melodic Transmission CHAPTER 7 Connections beyond Hispania CONCLUSION APPENDIX Manuscripts with Sacrificia and Their Sigla BIBLIOGRAPHY INDEX OF CHANTS GENERAL INDEX
INTRODUCTION Old Hispanic Chant and the Visigothic Context CHAPTER 1 The Sacrificium CHAPTER 2 Liturgy, Patristic Learning, and Christian Formation CHAPTER 3 From Scripture to Chant: Biblical Exegesis and Communal Identity in the Sacrificia CHAPTER 4 The Melodic Language CHAPTER 5 Sounding Prophecy: Words and Music in the Sacrificia CHAPTER 6 The Broader Old Hispanic Tradition: Aspects of Melodic Transmission CHAPTER 7 Connections beyond Hispania CONCLUSION APPENDIX Manuscripts with Sacrificia and Their Sigla BIBLIOGRAPHY INDEX OF CHANTS GENERAL INDEX
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