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Showing that Vietnamese immigrants deal with more than simply a new country and culture in these communities, Reyes considers such issues as ethnicity, socio-economic class, and differing generations. She considers in her study music of all kinds performed and recorded, public and private and looks at music as listened to and performed by all age groups, including church music, club music, and music used in cultural festivals. Moving from traditional folk music to elite and modern music and from the recording industry to pirated tapes, Reyes looks at how Vietnamese in exile struggled, in…mehr

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Showing that Vietnamese immigrants deal with more than simply a new country and culture in these communities, Reyes considers such issues as ethnicity, socio-economic class, and differing generations. She considers in her study music of all kinds performed and recorded, public and private and looks at music as listened to and performed by all age groups, including church music, club music, and music used in cultural festivals. Moving from traditional folk music to elite and modern music and from the recording industry to pirated tapes, Reyes looks at how Vietnamese in exile struggled, in different ways, to hold onto a part of their home culture and to assimilate into their new, most frequently American, culture. "Songs of the Caged, Songs of the Free" will attract the attention of readers in Asian-American studies, Asian studies, immigration studies, music, and ethnomusicology. Adelaida Reyes is a leading ethnomusicologist and Professor Emerita of Music at New Jersey City University. During her years of teaching at Columbia University, she led the development of urban ethnomusicology as a field of study.
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