Sonic Rebellions combines theory and practice to consider contemporary uses of sound in the context of politics, philosophy, and protest by exploring the relationship between sound and social justice, with particular attention to sonic methodologies not necessarily conceptualised or practiced in traditional understandings of activism.
Sonic Rebellions combines theory and practice to consider contemporary uses of sound in the context of politics, philosophy, and protest by exploring the relationship between sound and social justice, with particular attention to sonic methodologies not necessarily conceptualised or practiced in traditional understandings of activism.
Wanda Canton is an artist and researcher currently completing her doctorate at the University of Brighton, UK.
Inhaltsangabe
1. Listening to Gentrification: Finding Socially Just Ways to Listen to Our Environments Together 2. 'Made in LDN': Young People's Production of Rap Music in the Neoliberal Youth Club 3. Dangerous Dada? Reconceptualising UK Drill as Avant-Garde 4. Memetic Feminism and TikTok 5. Acousmatic Sound, Neoliberal Anxiety and Theatrical Resistance 6. 'Remove Them All!' Sounds of Protest in the Algerian Hirak Movement 7. Border Spaces and Sounds of Resistance: Music at the Franco-British Border
1. Listening to Gentrification: Finding Socially Just Ways to Listen to Our Environments Together 2. 'Made in LDN': Young People's Production of Rap Music in the Neoliberal Youth Club 3. Dangerous Dada? Reconceptualising UK Drill as Avant-Garde 4. Memetic Feminism and TikTok 5. Acousmatic Sound, Neoliberal Anxiety and Theatrical Resistance 6. 'Remove Them All!' Sounds of Protest in the Algerian Hirak Movement 7. Border Spaces and Sounds of Resistance: Music at the Franco-British Border
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