Sonic Synergies

Music, Technology, Community, Identity
Herausgeber: Bloustien, Gerry; Peters, Margaret; Luckman, Susan

• Broschiertes Buch

Produktbeschreibung

Sonic Synergies: Music, Technology, Community, Identity focuses on the new and emerging synergies of music and digital technology within the new knowledge economies. Eighteen scholars representing six international perspectives explore the global and local ramifications of rapidly changing new technologies on creative industries, local communities, music practitioners and consumers. Diverse areas are considered, such as production, consumption, historical and cultural context, legislation, globalization and the impact upon the individual. Drawing on a range of musical genres from jazz, heavy metal, hip-hop and trance, and through several detailed case studies reflecting on the work of professional and local amateur artists, this book offers an important discussion of the ways in which the face of music is changing. Approaching these areas from a cultural studies perspective, this text will be a valuable tool for anyone engaged in the study of popular culture, music or digital technologies.

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Produktdetails

• Verlag: Routledge
• Seitenzahl: 266
• Erscheinungstermin: 15. November 2016
• Englisch
• Abmessung: 234mm x 156mm x 14mm
• Gewicht: 409g
• ISBN-13: 9781138265240
• ISBN-10: 1138265241
• Artikelnr.: 57058367

Autorenporträt

At the University of South Australia, Gerry Bloustien is an Associate Professor in the School of Communication and Director for the Bachelor of Arts Professional Major in Communication, Media and Culture, Margaret Peters is Senior Lecturer in the School of Communication, and Susan Luckman is Senior Lecturer in Communication Studies.

Inhaltsangabe

Contents: Introduction; Part 1 Shifting Contexts: Introduction to part 1
Margaret Peters; Music
cities
and cultural and creative industries policy
Terry Flew; Futures for webcasting: regulatory approaches in Australia and the US
Axel Bruns; Postmusics
Jody Berland; On the fetish character of sound and the progression of technology: theorizing Japanese audiophiles
Shuhei Husokawa and Hideaki Matsuoka; The Elvis Spectacle and the culture industry
Douglas Kellner. Part 2 Placing Music: Introduction to part 2
Susan Luckman; Popular music
media and the narrativization of place
Andy Bennett; There's no there there
Ian Maxwell; Ethnic and social differences in music behaviour in a fragmented Berlin
Bruce M.Z. Cohen; 'Dis is England's new voice': anger
activism and the Asian dub foundation
Ian Collinson; From folk devils to folk music: tracing Malay heavy metal scene in Singapore
Kelly Fu Yu Sin and Liew Kai Khiun; The Jamaican dancehall sound system as a commercial and social apparatus
Julian Henriques. Part 3 Creating Agency: Introduction to part 3; Gerry Bloustien; Use
misuse and abuse: problems surrounding popular music and its young performers
Sheila Whiteley; The Idol audience: judging
interactivity and entertainment
Jon Stratton; Risky economies: community-based organizations and the music-making practices of marginalized youth
Margaret Peters; 'Unalienated labour' and creative industries: situating micro-entrepreneurial dance music subcultures in the new economy
Susan Luckman; Up the down staircase: grassroots entrepreneurship in young people's music practices
Gerry Bloustien; Bibliography; Index.