A cultural history of U.S. activists and organizers of color who appropriated theories and strategies from Third World anticolonial struggles in their own fight for social justice.
A cultural history of U.S. activists and organizers of color who appropriated theories and strategies from Third World anticolonial struggles in their own fight for social justice.
Cynthia A. Young is Associate Professor of English and the Director of the African and African Diaspora Studies Program at Boston College.
Inhaltsangabe
Preface ix Acknowledgments xiii Introduction 1 1. Havana Up in Harlem and Down in Monroe: Armed Revolt and the Making of a Cultural Revolution 18 2. Union Power, Soul Power: Class Struggle by Cultural Means 54 3. Newsreel: Rethinking the Filmmaking Arm of the New Left 100 4. Third World Newsreel Visualizes the Internal Colony 145 5. Angela Y. Davis and U.S. Third World Left Theory and Praxis 184 6. Shot in Watts: Film and State Violence in the 1970s 209 Coda 245 Notes 253 Bibliography and Filmography 271 Index 295
Preface ix Acknowledgments xiii Introduction 1 1. Havana Up in Harlem and Down in Monroe: Armed Revolt and the Making of a Cultural Revolution 18 2. Union Power, Soul Power: Class Struggle by Cultural Means 54 3. Newsreel: Rethinking the Filmmaking Arm of the New Left 100 4. Third World Newsreel Visualizes the Internal Colony 145 5. Angela Y. Davis and U.S. Third World Left Theory and Praxis 184 6. Shot in Watts: Film and State Violence in the 1970s 209 Coda 245 Notes 253 Bibliography and Filmography 271 Index 295
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