Sharon Jane Mee is Adjunct Lecturer in Film Studies at the University of New South Wales, Australia. Luke Robinson is a PhD candidate and a casual academic in the School of Arts and Media, University of New South Wales, Australia.
Inhaltsangabe
List of Illustrations Acknowledgements The Clatter and Clang of Sound Affects Sharon Jane Mee (University of New South Wales Australia) and Luke Robinson (University of New South Wales Australia) Part 1: Start Stop Repeat Chapter 1. Silence Sandra Kazlauskaite (University of Lincoln UK) Chapter 2. Shuffle Jim Drobnick (OCAD University Canada) and Jennifer Fisher (York University Canada) Chapter 3. Oriental Riff Runchao Liu (University of Denver USA) Part 2: Voices and Vocals Chapter 4. aa ee ii oo uuuuu Rachel Shearer (Te Wananga Aronui o Tamaki Makau Rau/Auckland University of Technology Aotearoa New Zealand) Chapter 5. Sympathetic Response Charlotte Eubanks (Pennsylvania State University USA) Chapter 6. Whispers Christian de Mouilpied Sancto (University of Rochester USA) Chapter 7. Sing Katherine Nolan (Technological University Dublin Ireland) Chapter 8. The Disembodied Voice Julius Greve (University of Oldenburg Germany) Part 3: Threshold Sounds Chapter 9. Tin/ny Rob Garbutt (Southern Cross University Australia) Chapter 10. Vroom Andrija Filipovic (Singidunum University Serbia) Chapter 11. Thump Andrea Avidad (New York University USA) Chapter 12: Buzz Sharon Jane Mee (University of New South Wales Australia) Part 4: Beyond Audibility Chapter 13: Inaudible Tremors Luke Robinson (University of New South Wales Australia) Chapter 14: Distortion Greg Hainge (University of Queensland Australia) Chapter 15. Feedback Manuel 'Mandel' CabreraJr. (Yonsei University South Korea) Chapter 16. Sub-bass Aidan Delaney (Middlesex University UK) Chapter 17. Squish Squelch Shlshlshlurpppp Norie Neumark (Victorian College of the Arts University of Melbourne and La Trobe University Australia) Bibliography Mediography Contributors Index
List of Illustrations Acknowledgements The Clatter and Clang of Sound Affects Sharon Jane Mee (University of New South Wales Australia) and Luke Robinson (University of New South Wales Australia) Part 1: Start Stop Repeat Chapter 1. Silence Sandra Kazlauskaite (University of Lincoln UK) Chapter 2. Shuffle Jim Drobnick (OCAD University Canada) and Jennifer Fisher (York University Canada) Chapter 3. Oriental Riff Runchao Liu (University of Denver USA) Part 2: Voices and Vocals Chapter 4. aa ee ii oo uuuuu Rachel Shearer (Te Wananga Aronui o Tamaki Makau Rau/Auckland University of Technology Aotearoa New Zealand) Chapter 5. Sympathetic Response Charlotte Eubanks (Pennsylvania State University USA) Chapter 6. Whispers Christian de Mouilpied Sancto (University of Rochester USA) Chapter 7. Sing Katherine Nolan (Technological University Dublin Ireland) Chapter 8. The Disembodied Voice Julius Greve (University of Oldenburg Germany) Part 3: Threshold Sounds Chapter 9. Tin/ny Rob Garbutt (Southern Cross University Australia) Chapter 10. Vroom Andrija Filipovic (Singidunum University Serbia) Chapter 11. Thump Andrea Avidad (New York University USA) Chapter 12: Buzz Sharon Jane Mee (University of New South Wales Australia) Part 4: Beyond Audibility Chapter 13: Inaudible Tremors Luke Robinson (University of New South Wales Australia) Chapter 14: Distortion Greg Hainge (University of Queensland Australia) Chapter 15. Feedback Manuel 'Mandel' CabreraJr. (Yonsei University South Korea) Chapter 16. Sub-bass Aidan Delaney (Middlesex University UK) Chapter 17. Squish Squelch Shlshlshlurpppp Norie Neumark (Victorian College of the Arts University of Melbourne and La Trobe University Australia) Bibliography Mediography Contributors Index
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