This study examines postmodern literature- including works by Kurt Vonnegut, William Gaddis, Don DeLillo, Philip K. Dick, Ishmael Reed, and Thomas Pynchon -arguing that one of the formal logics of postmodern fiction is heterophonia: a pluralism of sound. The postmodern novel not only bears earwitness to a crucial period in American aural history
This study examines postmodern literature- including works by Kurt Vonnegut, William Gaddis, Don DeLillo, Philip K. Dick, Ishmael Reed, and Thomas Pynchon -arguing that one of the formal logics of postmodern fiction is heterophonia: a pluralism of sound. The postmodern novel not only bears earwitness to a crucial period in American aural history
Justin St. Clair is Assistant Professor of English at the University of South Alabama, US.
Inhaltsangabe
Introduction: Toward Postmodern Soundscapes 1. The Player Piano: Musical Programming in the Age of Mechanical Reproduction 2. Radio for Dummies: Alien Invasions, Déjà Voodoo, and the Ventriloquy of America 3. Sounding Off: The Postmodern Novel Considers Television Audio 4. Listen to the Muzak: The Social Implications of Background Sound Coda: Background Sound: The Remix
Introduction: Toward Postmodern Soundscapes 1. The Player Piano: Musical Programming in the Age of Mechanical Reproduction 2. Radio for Dummies: Alien Invasions, Déjà Voodoo, and the Ventriloquy of America 3. Sounding Off: The Postmodern Novel Considers Television Audio 4. Listen to the Muzak: The Social Implications of Background Sound Coda: Background Sound: The Remix
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