Don't let your indie film be sabotaged by bad sound! One of the weakest technical aspects of a low or no-budget short or feature film is usually the sound, and in Sound Design for Low and No Budget Films, author Patrick Winters explains what filmmakers need to do to fix that. Learn how to improve the sound quality of your low-budget film with specific tools and practices for achieving a better soundtrack including detailed, step-by-step explanations of how to edit your production track, create a sound design, record and edit ADR, Foley and sound effects, music, and much more. Focusing on the…mehr
Don't let your indie film be sabotaged by bad sound! One of the weakest technical aspects of a low or no-budget short or feature film is usually the sound, and in Sound Design for Low and No Budget Films, author Patrick Winters explains what filmmakers need to do to fix that. Learn how to improve the sound quality of your low-budget film with specific tools and practices for achieving a better soundtrack including detailed, step-by-step explanations of how to edit your production track, create a sound design, record and edit ADR, Foley and sound effects, music, and much more. Focusing on the essential details indie filmmakers need to know, Winters teaches you how to turn a thin and distracting sound track into one that makes your film shine.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Patrick Winters has been working in sound design for 30 years and teaching sound design for 12 years. He has personal experience working on major motion pictures as well as creating his own short films, stretching minimal budgets to get the best sound tracks possible.
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Table of Contents Preface Acknowledgments 1. Introduction * Purpose * Sound Definition * Sound's Abilities * Sound Supervisor * Contracts, Agreements and Licenses 2. Location Sound: How Was That for Sound? 1. Common Mistakes 2. Single System 3. Double System 4. Timecode 5. Smart Slate 6. Boom and Lavaliere 7. Wired and Wireless 8. Wide Shots and Close-Ups 9. Two-plus Camera Set-Up 10. Exercise 11. Sample Sound Report Form 3. Sound Design 12. Defined 13. Introduction 14. Movie Examples 15. Recording 16. Creating 17. Editing and Processing 18. Mixing 19. Exercises 4. Dialogue Editing: It's Work, Not Magic 20. Introduction 21. Picture Lock 22. Collecting Materials 23. File Management 24. The Process 25. Cleaning 26. Smoothing 27. Editing 28. Split Tracks 29. Room Tone 30. Fixing Issues 31. Processing 32. Exercise 5. ADR: What Did They Say? 33. Introduction 34. Spotting 35. Microphones 36. Working with Actors 37. Production ADR Recording 38. Post-Production ADR Recording 39. Editing 40. Exercise 41. ADR Cue Sheet Form 6. Walla/Group /Loop Group/Group ADR/Rhubarb: Why Can't I Hear Them? 42. Introduction 43. Group Leaders 44. Research and Scripting 45. Walla 46. Specifics 47. Callouts 48. Efforts 49. Screams 50. Performing 51. Recording 52. Editing 53. Resources 54. Exercise 7. Narration: It Isn't Dialogue 55. Introduction 56. Purposes 57. Pre-Production 58. Recording 59. Editing 60. Processing 61. Exercise 8. Sound Effects: Creating Reality 62. Sound Effect Functions 63. Types of Sound Effects 64. The Grey Area (Foley and Sound Effects) 65. Production Sound Effects 66. Location Sound Effects 67. Custom-Recorded Sound Effects 68. Foley Sound Effects 69. Library Sound Effects 70. Spotting 71. Creating 72. Recording 73. Editing 74. Processing 75. Exercise 9. Foley: Who or What is Foley? 76. Foley History 77. Overview 78. Spotting and Cueing 79. Synchronized Recording 80. Microphones 81. Performance 82. Moves or Cloth 83. Specifics or Props 84. Pats and Grabs 85. Footsteps 86. Libraries 87. Editing 88. Sound Effect Resources 89. Exercise 10. Backgrounds: What's an Ambience, Atmosphere or Background? * Introduction * Spotting * Production Sound * Room Tone * Recording * Library * Editing * Layering * Processing * Exercise 11. Musical Score: In The Mood? 90. Introduction 91. Making Notes 92. Spotting Session 93. Cues 94. Hits or Hit Points 95. Tempo Map 96. Click Tracks and Guide Tracks 97. Temp Scores 98. Music Software 99. Scoring 100. Theme and Motif 101. Titles, Montage and Credits 102. Composing, Arranging, Orchestrating and Instrumentation 103. Recording Performance (Tracking) 104. Digital Music 105. GarageBand 106. Song Score, Pop Music and Source Music 107. Cue Packages 108. Bands 109. Musicals 110. Library Music: Hard Drives, CD's and Downloads 111. Editing 112. Stems 113. Mixing 114. Deliverables 115. Exercise 12. Mixing Myself Preparation 116. Introduction 117. Preparing Your Mixing Room 118. Reference Levels 119. Room Monitor Calibration 120. NLE or DAW 121. Mixing In-The-Box By Myself 122. Session Set-Up 123. Stereo, LCR or Surround? 13. Pre-Mixing or Predubbing and DSP 124. Introduction 125. Mixing Preparation 126. Track Layout 127. Virtual Mixing 128. Mix Tools 129. Levels 130. Gain Staging 131. Fades 132. Panning 133. Constant Gain or Constant Power 134. Equalization 135. Compression 136. Normalizing 137. Noise Gate 138. Expansion 139. Exciter 140. De-Esser 141. Noise Reduction 142. Reverberation and Delays 143. De-Verberation 144. Effects and Filters 145. Limiter 146. Premixing 147. Buses, Auxes, Sends and Returns 148. VCA Faders 149. Master Fader 150. Metering 151. Two Pops and Tail Pops 152. Dialogue and ADR PreMix 153. Foley Premix 154. Sound Effects Premix 155. Design Effects Premix 156. Backgrounds Premix 157. Music Premix 158. Temp Mix 14. Mixing Myself 159. Introduction 160. Set-Up 161. Getting Started 162. Dialogue First 163. ADR 164. Sound Effects 165. Ambiences 166. Foley 167. Music 168. DME Stems and M&E 169. Master Output 170. Quick and Dirty Mix 15. Studio Mix 171. Introduction 172. Mixer Interview 173. Mix Preparation 174. Premixes 175. Stems 176. Mixing 177. Run Through 178. Dialogue Mixing 179. Sound Effects Mixing 180. Foley Mixing 181. Ambience Mixing 182. Music Mixing 16. Deliverables 183. Introduction 184. Film 185. DCP 186. DVD/Blu-Ray 187. Streaming 188. Broadcast Television 189. Marketing 190. Archiving 17. Summary 191. Clean Production Sound 192. Creating Sound Design 193. Mixing 194. Conclusion 195. Internet Resources Glossary Bibliography Index
