Sound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing, and communicating all types of motion picture soundtracks.
Sound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing, and communicating all types of motion picture soundtracks.
Neil Hillman, PhD, is a highly experienced sound designer, production sound mixer and scholar who contributes to both multi-million budgeted feature films and crowd-funded indie movies. His PhD investigated emotion within sound design and considered enhanced audience engagement through the thoughtful use of the soundtrack.
Inhaltsangabe
1 Introduction PART 1 Constructing the soundtrack 2 Emotion in sound design 3 Validating a new approach PART 2 Deconstructing the soundtrack 4 The Four Sound Areas 5 Applying the Four Sound Areas 6 Reflections on practice PART 3 Communicating the soundtrack 7 Adding to the lexicon 8 Closing thoughts 9 Appendices 10 Credits Glossary References Index
1 Introduction PART 1 Constructing the soundtrack 2 Emotion in sound design 3 Validating a new approach PART 2 Deconstructing the soundtrack 4 The Four Sound Areas 5 Applying the Four Sound Areas 6 Reflections on practice PART 3 Communicating the soundtrack 7 Adding to the lexicon 8 Closing thoughts 9 Appendices 10 Credits Glossary References Index
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