Sound, Image, and National Imaginary in the Construction of Latin/o American Identities

Herausgeber: Fernández L'Hoeste, Héctor; Vila, Pablo

• Gebundenes Buch

Produktbeschreibung

This book explores the key role of sound and image in the perception of nations throughout the history of the Americas. It subverts the strict chronology previously upheld by historians regarding the formation of national identities by looking at the development of countries in varied cultural, economic, and political situations.

---

Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Music, Culture, and Identity in Latin America
• Verlag: Globe Pequot Publishing Group Inc/Bloomsbury
• Seitenzahl: 246
• Erscheinungstermin: 26. Dezember 2017
• Englisch
• Abmessung: 235mm x 157mm x 18mm
• Gewicht: 512g
• ISBN-13: 9781498565233
• ISBN-10: 1498565239
• Artikelnr.: 49462799

Autorenporträt

Héctor Fernández L'Hoeste is professor in the Department of World Languages and Cultures at Georgia State University. Pablo Vila is professor of sociology at Temple University.

Inhaltsangabe

Contents Introduction Chapter One: The National Symbols of Costa Rica: A
Decolonial Approach María Isabel Carvajal Araya Chapter Two: Another Look
at the History of Tango: The Intimate Connection of Rural and Urban Music
in Argentina at the Beginning of the Twentieth Century Julia Chindemi and
Pablo Vila Chapter Three: Nationalisms and Anti-indigenismos: Rudolph
Holzmann and His Contribution to a "Peruvian" Music Raúl R. Romero Chapter
Four: Music and Cartoons in Brazil: Complementarity in the Representation
of National Identity Waldomiro Vergueiro and Geisa Fernandes, translated by
Ricardo Nogueira Chapter Five: Divergent Imaginaries of the Nation in the
New Chilean Pop of the 1980s Juan Pablo González, translated by Peggy
Westwell and Pablo Vila Chapter Six: Cumbias of the Crisis: A Hauntology of
Modern Uruguay Matthew J. Van Hoose Chapter Seven: On the Rise of
Middle-Class Vallenato: The Recreation of the National in a Commodified
Musical Genre Héctor Fernández L'Hoeste Chapter Eight: Dancing Palimpsests:
"Bailando" and the Choreographing of Cuba's International Image Susan
Thomas Chapter Nine: Marc Anthony 3.0: Toward a Critical Salsa Romántica
Frances R. Aparicio About the Editors About the Contributors