This book explores the key role of sound and image in the perception of nations throughout the history of the Americas. It subverts the strict chronology previously upheld by historians regarding the formation of national identities by looking at the development of countries in varied cultural, economic, and political situations.
This book explores the key role of sound and image in the perception of nations throughout the history of the Americas. It subverts the strict chronology previously upheld by historians regarding the formation of national identities by looking at the development of countries in varied cultural, economic, and political situations.
Héctor Fernández L'Hoeste is professor in the Department of World Languages and Cultures at Georgia State University. Pablo Vila is professor of sociology at Temple University.
Inhaltsangabe
Contents Introduction Chapter One: The National Symbols of Costa Rica: A Decolonial Approach María Isabel Carvajal Araya Chapter Two: Another Look at the History of Tango: The Intimate Connection of Rural and Urban Music in Argentina at the Beginning of the Twentieth Century Julia Chindemi and Pablo Vila Chapter Three: Nationalisms and Anti-indigenismos: Rudolph Holzmann and His Contribution to a "Peruvian" Music Raúl R. Romero Chapter Four: Music and Cartoons in Brazil: Complementarity in the Representation of National Identity Waldomiro Vergueiro and Geisa Fernandes, translated by Ricardo Nogueira Chapter Five: Divergent Imaginaries of the Nation in the New Chilean Pop of the 1980s Juan Pablo González, translated by Peggy Westwell and Pablo Vila Chapter Six: Cumbias of the Crisis: A Hauntology of Modern Uruguay Matthew J. Van Hoose Chapter Seven: On the Rise of Middle-Class Vallenato: The Recreation of the National in a Commodified Musical Genre Héctor Fernández L'Hoeste Chapter Eight: Dancing Palimpsests: "Bailando" and the Choreographing of Cuba's International Image Susan Thomas Chapter Nine: Marc Anthony 3.0: Toward a Critical Salsa Romántica Frances R. Aparicio About the Editors About the Contributors
Contents Introduction Chapter One: The National Symbols of Costa Rica: A Decolonial Approach María Isabel Carvajal Araya Chapter Two: Another Look at the History of Tango: The Intimate Connection of Rural and Urban Music in Argentina at the Beginning of the Twentieth Century Julia Chindemi and Pablo Vila Chapter Three: Nationalisms and Anti-indigenismos: Rudolph Holzmann and His Contribution to a "Peruvian" Music Raúl R. Romero Chapter Four: Music and Cartoons in Brazil: Complementarity in the Representation of National Identity Waldomiro Vergueiro and Geisa Fernandes, translated by Ricardo Nogueira Chapter Five: Divergent Imaginaries of the Nation in the New Chilean Pop of the 1980s Juan Pablo González, translated by Peggy Westwell and Pablo Vila Chapter Six: Cumbias of the Crisis: A Hauntology of Modern Uruguay Matthew J. Van Hoose Chapter Seven: On the Rise of Middle-Class Vallenato: The Recreation of the National in a Commodified Musical Genre Héctor Fernández L'Hoeste Chapter Eight: Dancing Palimpsests: "Bailando" and the Choreographing of Cuba's International Image Susan Thomas Chapter Nine: Marc Anthony 3.0: Toward a Critical Salsa Romántica Frances R. Aparicio About the Editors About the Contributors
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