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The author outlines how memory is treated by contemporary artists, philosophers, musicians, sociologists, musicologists, as well as victims of the Holocaust... She paints a rich landscape of how her subject features in the work of composers and their collaborators, many of whom were motivated by memories of the Occupation. With such a subject, the discussion inevitably comes round to the uneasy relationship between aesthetics and ethics. The author quotes Adorno: "Is poetry possible after Auschwitz?". The work is an answer to that question, and an affirmative one. It must be possible: to…mehr

Produktbeschreibung
The author outlines how memory is treated by contemporary artists, philosophers,
musicians, sociologists, musicologists, as well as victims of the Holocaust...
She paints a rich landscape of how her subject features in the work of
composers and their collaborators, many of whom were motivated by memories
of the Occupation.
With such a subject, the discussion inevitably comes round to the uneasy relationship
between aesthetics and ethics. The author quotes Adorno: "Is poetry
possible after Auschwitz?". The work is an answer to that question, and an affirmative
one. It must be possible: to restore hope, and to invoke and sustain
Memory, at least symbolically - by artistic means. Art, even when it disturbs,
brings catharsis and preserves memory.
The author impresses with her erudition, wealth of materials cited, musical
competence and critical insights.
Krzysztof Szwajgier, The Krzysztof Penderecki Academy of Music, Cracow,
Poland.
Autorenporträt
Joanna Posluszna, psychologist and music theorist, assistant professor at the Institute
of Psychology at Maria Curie-Sklodowksa University in Lublin, author of
several books in Polish and English. Her research is mainly focused on the psychology
of music and emotions, memory, and sound in totalitarian institutions.