Sound Theory/Sound Practice

Herausgeber: Altman, Rick

• Gebundenes Buch

Produktbeschreibung

First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis Ltd (Sales)
• Seitenzahl: 298
• Erscheinungstermin: 29. September 2015
• Englisch
• Abmessung: 229mm x 152mm x 18mm
• Gewicht: 567g
• ISBN-13: 9781138129634
• ISBN-10: 1138129631
• Artikelnr.: 44117936

Autorenporträt

Rick Altman

Inhaltsangabe

General Introduction: Cinema as Event 1. The Material Heterogeneity of
Recorded Sound Part One: TheoreticalPerspectives Introduction:
Four-and-a-half Film Fallacies 2. Sound Space Rick Altman 3. Reading,
Writing, and Representing Sound Jim Lastra 4. She Sang Live, but the
Microphone was Turned Off: The Live, the Recorded, and the Subject of
Representation Steve Wurtzler 5. Wasted Words Michel Chion Part Two:
Historical Speculations Introduction: Sound/History 6. [Conversion to
Sound] AlanWilliams 7. Translating America: The Hollywood Multilinguals
1929-1933 Natasa Durovicova 8. 1950s Magnetic Sound: The Frozen Revolution
John Belton Part Three: Neglected Domains Introduction: Sound's Dark
Corners 9. Women's Voices in Third World Cinema AmyLawrence 10. The Sound
of Early Warner Bros. Cartoons Scott Curtis 11. Imagining the Sound(s) of
Shakespeare: Film Sound and Adaptation Mary Pat Klimek 12. Conventions of
Sound in Documentary Jeff Ruoff 13. Let There Be Sound: The Films of Andrei
Tarkovsky Andrea TruppinAfterword: A Baker's Dozen of New Terms for Sound
Analysis Notes Works Cited