Sound Unseen explores the phenomenon of acousmatic sound -- a sound that one hears without seeing its source-and presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses.
Sound Unseen explores the phenomenon of acousmatic sound -- a sound that one hears without seeing its source-and presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Brian Kane is Associate Professor of Music at Yale University and a founding editor of the journal nonsite.org. His research specializes in contemporary music, sound art, sound studies/auditory culture, histories of listening, and intersections between music and philosophy
Inhaltsangabe
* Table of Contents * Introduction * PART I. The Acousmatic Situation * CHAPTER 1. Pierre Schaeffer, the sound object and the acousmatic reduction * PART II. Interruptions * CHAPTER 2. Myth and the origin of the Pythagorean veil * CHAPTER 3. The baptism of the acousmate * PART III. Conditions * CHAPTER 4. Acousmatic phantasmagoria and the problem of technê * INTERLUDE. Must musique concrète be phantasmagoric? * CHAPTER 5. Kafka and the ontology of acousmatic sound * PART IV. Cases * CHAPTER 6. The acousmatic voice * CHAPTER 7. Acousmatic fabrications: Les Paul and the "Les Paulverizer" * Notes * Bibliography
* Table of Contents * Introduction * PART I. The Acousmatic Situation * CHAPTER 1. Pierre Schaeffer, the sound object and the acousmatic reduction * PART II. Interruptions * CHAPTER 2. Myth and the origin of the Pythagorean veil * CHAPTER 3. The baptism of the acousmate * PART III. Conditions * CHAPTER 4. Acousmatic phantasmagoria and the problem of technê * INTERLUDE. Must musique concrète be phantasmagoric? * CHAPTER 5. Kafka and the ontology of acousmatic sound * PART IV. Cases * CHAPTER 6. The acousmatic voice * CHAPTER 7. Acousmatic fabrications: Les Paul and the "Les Paulverizer" * Notes * Bibliography
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