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Think of a composer right now. Was it a white man? Perhaps in old-fashioned clothing and wild hair? The music history we're told is one dominated by men, and even then, only a select few enter the zeitgeist. This conventional history perpetuates the myth of "great works" created by "genius" artists. Men who enjoyed institutional privilege during their lifetimes and have since been enshrined by an industry of publishers and record labels. But just because we haven't heard of spectacular female composers, doesn't mean they weren't creating music all the same.

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Produktbeschreibung
Think of a composer right now. Was it a white man? Perhaps in old-fashioned clothing and wild hair? The music history we're told is one dominated by men, and even then, only a select few enter the zeitgeist. This conventional history perpetuates the myth of "great works" created by "genius" artists. Men who enjoyed institutional privilege during their lifetimes and have since been enshrined by an industry of publishers and record labels. But just because we haven't heard of spectacular female composers, doesn't mean they weren't creating music all the same.
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Autorenporträt
Kate Molleson is a journalist and broadcaster and one of the UK’s leading commentators on contemporary classical music. She was a classical music critic for the Guardian for seven years and deputy editor of Opera magazine. She currently presents BBC Radio 3’s New Music Show and Music Matters. She has presented documentaries for BBC4 and BBC World Service, and she teaches music journalism at the Darmstadt and Dartington international summer schools. Molleson grew up in various parts of Scotland and the far north of Canada, and studied clarinet performance at McGill University in Montreal and musicology at King’s College London, where she researched the operas of Ezra Pound. She lives in Edinburgh, Scotland.