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Sound Writing examines how oral histories are co-created by speakers, the authors who mediate them, and readers. It offers a thorough review of the varying arguments about editing for transcription and publication and reflects on how digital technologies enable a much wider access to oral data. As an interdisciplinary study, it considers how literary genres and oral history have long influenced each other and have informed our understandings of authorship and reading.

Produktbeschreibung
Sound Writing examines how oral histories are co-created by speakers, the authors who mediate them, and readers. It offers a thorough review of the varying arguments about editing for transcription and publication and reflects on how digital technologies enable a much wider access to oral data. As an interdisciplinary study, it considers how literary genres and oral history have long influenced each other and have informed our understandings of authorship and reading.
Autorenporträt
Shelley Trower is Professor Emeritus in English Literature at the University of Roehampton. Her books include Place, Writing, and Voice in Oral History; Senses of Vibration: A History of the Pleasure and Pain of Sound; and Rocks of Nation.