Sounding American: Hollywood, Opera, and Jazz looks at the role played by 1920s musical shorts in crafting studio identity and establishing American film sound. It argues that the persistence of opera and jazz on the soundtrack during and after the conversion produces a fragmentary text and encourages an active spectator.
Sounding American: Hollywood, Opera, and Jazz looks at the role played by 1920s musical shorts in crafting studio identity and establishing American film sound. It argues that the persistence of opera and jazz on the soundtrack during and after the conversion produces a fragmentary text and encourages an active spectator.
Jennifer Fleeger is an Assistant Professor in the Department of Media and Communication Studies at Ursinus College. Her second book, Mismatched Women: The Voice Meets the Machine, will also appear in Oxford's Music/Media Series.
Inhaltsangabe
* Introduction * Chapter 1 Archiving America: Sound Technology and Musical Representation * Chapter 2 Opera Cut Short: From the Castrato to the Film Fragment * Chapter 3 Selling Jazz Short: Hollywood and the Fantasy of Musical Agency * Chapter 4 Opera and Jazz in the Score: Toward a New Spectatorship * Conclusion * Bibliography * Filmography * Index
* Introduction * Chapter 1 Archiving America: Sound Technology and Musical Representation * Chapter 2 Opera Cut Short: From the Castrato to the Film Fragment * Chapter 3 Selling Jazz Short: Hollywood and the Fantasy of Musical Agency * Chapter 4 Opera and Jazz in the Score: Toward a New Spectatorship * Conclusion * Bibliography * Filmography * Index
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