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Sounding Feminine traces the development of attitudes towards the female voice that have decisively shaped modern British society and culture, examining how the responses of late 18th- and early 19th-century audiences to the sounds of women's singing exposed the intricate links between gender, nationality, class, and religion in a pivotal era of change.

Produktbeschreibung
Sounding Feminine traces the development of attitudes towards the female voice that have decisively shaped modern British society and culture, examining how the responses of late 18th- and early 19th-century audiences to the sounds of women's singing exposed the intricate links between gender, nationality, class, and religion in a pivotal era of change.
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Autorenporträt
David Kennerley is a Leverhulme Early Career Fellow in History at Queen Mary University of London. He specializes in the history of music, sound, gender, and political culture in modern Britain. His work has been published in the Historical Journal, the English Historical Review, and the Journal of British Studies, and, with Oskar Cox Jensen and Ian Newman, he has co-edited Charles Dibdin and Late Georgian Culture (OUP, 2018).