Sounding Feminine traces the development of attitudes towards the female voice that have decisively shaped modern British society and culture, examining how the responses of late 18th- and early 19th-century audiences to the sounds of women's singing exposed the intricate links between gender, nationality, class, and religion in a pivotal era of change.
Sounding Feminine traces the development of attitudes towards the female voice that have decisively shaped modern British society and culture, examining how the responses of late 18th- and early 19th-century audiences to the sounds of women's singing exposed the intricate links between gender, nationality, class, and religion in a pivotal era of change.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David Kennerley is a Leverhulme Early Career Fellow in History at Queen Mary University of London. He specializes in the history of music, sound, gender, and political culture in modern Britain. His work has been published in the Historical Journal, the English Historical Review, and the Journal of British Studies, and, with Oskar Cox Jensen and Ian Newman, he has co-edited Charles Dibdin and Late Georgian Culture (OUP, 2018).
Inhaltsangabe
* Acknowledgements * Abbreviations * Introduction: Sounding Feminine * Chapter 1: Instructing women's voices in conduct literature * Chapter 2: Encountering women's voices in letters, diaries, and life-writing * Chapter 3: Criticising women's voices in the musical press * Chapter 4: Dorothea Solly's musical world: Class, religion, and the cultivation of the female voice * Chapter 5: The lives and voices of professional female singers: three vignettes * Epilogue: Voicing a new femininity * Bibliography * Index
* Acknowledgements * Abbreviations * Introduction: Sounding Feminine * Chapter 1: Instructing women's voices in conduct literature * Chapter 2: Encountering women's voices in letters, diaries, and life-writing * Chapter 3: Criticising women's voices in the musical press * Chapter 4: Dorothea Solly's musical world: Class, religion, and the cultivation of the female voice * Chapter 5: The lives and voices of professional female singers: three vignettes * Epilogue: Voicing a new femininity * Bibliography * Index
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