A look at how West African and Caribbean Francophone writers use rhythm, music, and sound to create and negotiate identityHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Julie Huntington is an Assistant Professor of French at Marymount Manhattan College.
Inhaltsangabe
Acknowledgments Introduction 1. Rhythm and Transcultural Poetics Rhythm and Transculture Method 2. Rhythm and Reappropriation in God’s Bits of Wood and The Suns of Independence Language and the Language of Music Rhythm and Reappropriation in the Novel Instrumentaliture at Work Rhythm and Transformation Ordinary and Extraordinary Rhythms 3. Rhythm, Music, and Identity in L’appel des arènes and Ti Jean L’horizon
Rhythm, Music, Subjectivity, and the Novel Rhythm and Identity in L’appel des arènes Rhythm and Identity in Ti Jean L’horizon Rethinking Rootedness 4. Music and Mourning in Crossing the Mangrove and Solibo Magnificent Memory, Mourning, and Mosaic Identities Rhythm, Music, and Identity as Process The Sounds of Death and Mourning Configuring Rhythmic and Musically Mediated Identities Concluding Remarks Works Cited Index
Acknowledgments Introduction 1. Rhythm and Transcultural Poetics Rhythm and Transculture Method 2. Rhythm and Reappropriation in God’s Bits of Wood and The Suns of Independence Language and the Language of Music Rhythm and Reappropriation in the Novel Instrumentaliture at Work Rhythm and Transformation Ordinary and Extraordinary Rhythms 3. Rhythm, Music, and Identity in L’appel des arènes and Ti Jean L’horizon
Rhythm, Music, Subjectivity, and the Novel Rhythm and Identity in L’appel des arènes Rhythm and Identity in Ti Jean L’horizon Rethinking Rootedness 4. Music and Mourning in Crossing the Mangrove and Solibo Magnificent Memory, Mourning, and Mosaic Identities Rhythm, Music, and Identity as Process The Sounds of Death and Mourning Configuring Rhythmic and Musically Mediated Identities Concluding Remarks Works Cited Index
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