Neil Lerner / Joseph Straus (eds.)
Sounding Off
Theorizing Disability in Music
Herausgeber: Lerner, Neil; Straus, Joseph
Neil Lerner / Joseph Straus (eds.)
Sounding Off
Theorizing Disability in Music
Herausgeber: Lerner, Neil; Straus, Joseph
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Sounding Off: Theorizing Disability in Music is the first book-length work to focus on the historical and theoretical issues of music as it relates to disability. It shows that music, like literature and the other arts, simultaneously reflects and constructs cultural attitudes toward disability.
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Sounding Off: Theorizing Disability in Music is the first book-length work to focus on the historical and theoretical issues of music as it relates to disability. It shows that music, like literature and the other arts, simultaneously reflects and constructs cultural attitudes toward disability.
Produktdetails
- Produktdetails
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 312
- Erscheinungstermin: 1. September 2006
- Englisch
- Abmessung: 230mm x 162mm x 22mm
- Gewicht: 549g
- ISBN-13: 9780415979061
- ISBN-10: 0415979064
- Artikelnr.: 22246391
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 312
- Erscheinungstermin: 1. September 2006
- Englisch
- Abmessung: 230mm x 162mm x 22mm
- Gewicht: 549g
- ISBN-13: 9780415979061
- ISBN-10: 0415979064
- Artikelnr.: 22246391
Neil Lerner is Associate Professor of Music at Davidson College. A specialist in film music, he has published studies of film scores by composers including Aaron Copland, Virgil Thomson, John Williams, and Dimitri Tiomkin. Joseph N. Straus is Presidential Professor of Music at the Graduate Center, City University of New York and former President of the Society for Music Theory. He has written widely on topics in twentieth-century music and music theory.
Contents Foreword Rosemarie Garland-Thomson 1. Introduction Neil Lerner and
Joseph N. Straus Part I. Narrating disability musically 2. Fever / Fragile
/ Fatigue: Music, AIDS, Present, and ... Paul G. Attinello 3. Of Bodies and
Narratives: Musical Representations of Pain and Illness in HBO's W;t Maria
Cizmic 4. Female Subjectivity, Disability, and Musical Authorship in
Krzysztof Kieslowski's Blue Kelly Gross 5. Dancing out of the Dark: How
Music Refutes Disability Stereotypes in Dancer in the Dark Jennifer Iverson
6. The Horrors of One-Handed Pianism: Music and Disability in The Beast
with Five Fingers Neil Lerner Part II. Performing disability musically 7.
Stuttering in American Popular Song, 1890-1930 Daniel Goldmark 8. Learning
to Hear Autistically Dave Headlam 9. Glenn Gould, Autistic Savant S.
Timothy Maloney 10. Using a Music-Theoretical Approach to Explore the
Impact of Disability on Musical Development: A Case Study Adam Ockelford
11. Melisma as Malady: Cavalli's Il Giasone (1649) and opera's earliest
stuttering role Andrew Oster 12. The Organ of the Soul: Voice, Damage and
Affect Laurie Stras Part III. Composing disability musically 13. Les
Chansons des fous: On the Edge of Madness with Alkan Poundie Burstein 14.
Finding Autism in the Compositions of a Nineteenth-Century Prodigy:
Reconsidering Blind Tom Wiggins Stephanie Jensen-Moulton 15. Beyond
Abnormality-Dis/ability and Music's Metamorphic Subjectivities Marianne
Kielian-Gilbert 16. Mental Illness and Musical Metaphor in the First
Movement of Berlioz's Symphonie fantastique Stephen Rodgers 17. Inversional
Balance and the Normal Body in the Music of Schoenberg and Webern Joseph N.
Straus
Joseph N. Straus Part I. Narrating disability musically 2. Fever / Fragile
/ Fatigue: Music, AIDS, Present, and ... Paul G. Attinello 3. Of Bodies and
Narratives: Musical Representations of Pain and Illness in HBO's W;t Maria
Cizmic 4. Female Subjectivity, Disability, and Musical Authorship in
Krzysztof Kieslowski's Blue Kelly Gross 5. Dancing out of the Dark: How
Music Refutes Disability Stereotypes in Dancer in the Dark Jennifer Iverson
6. The Horrors of One-Handed Pianism: Music and Disability in The Beast
with Five Fingers Neil Lerner Part II. Performing disability musically 7.
Stuttering in American Popular Song, 1890-1930 Daniel Goldmark 8. Learning
to Hear Autistically Dave Headlam 9. Glenn Gould, Autistic Savant S.
Timothy Maloney 10. Using a Music-Theoretical Approach to Explore the
Impact of Disability on Musical Development: A Case Study Adam Ockelford
11. Melisma as Malady: Cavalli's Il Giasone (1649) and opera's earliest
stuttering role Andrew Oster 12. The Organ of the Soul: Voice, Damage and
Affect Laurie Stras Part III. Composing disability musically 13. Les
Chansons des fous: On the Edge of Madness with Alkan Poundie Burstein 14.
Finding Autism in the Compositions of a Nineteenth-Century Prodigy:
Reconsidering Blind Tom Wiggins Stephanie Jensen-Moulton 15. Beyond
Abnormality-Dis/ability and Music's Metamorphic Subjectivities Marianne
Kielian-Gilbert 16. Mental Illness and Musical Metaphor in the First
Movement of Berlioz's Symphonie fantastique Stephen Rodgers 17. Inversional
Balance and the Normal Body in the Music of Schoenberg and Webern Joseph N.
Straus
Contents Foreword Rosemarie Garland-Thomson 1. Introduction Neil Lerner and
Joseph N. Straus Part I. Narrating disability musically 2. Fever / Fragile
/ Fatigue: Music, AIDS, Present, and ... Paul G. Attinello 3. Of Bodies and
Narratives: Musical Representations of Pain and Illness in HBO's W;t Maria
Cizmic 4. Female Subjectivity, Disability, and Musical Authorship in
Krzysztof Kieslowski's Blue Kelly Gross 5. Dancing out of the Dark: How
Music Refutes Disability Stereotypes in Dancer in the Dark Jennifer Iverson
6. The Horrors of One-Handed Pianism: Music and Disability in The Beast
with Five Fingers Neil Lerner Part II. Performing disability musically 7.
Stuttering in American Popular Song, 1890-1930 Daniel Goldmark 8. Learning
to Hear Autistically Dave Headlam 9. Glenn Gould, Autistic Savant S.
Timothy Maloney 10. Using a Music-Theoretical Approach to Explore the
Impact of Disability on Musical Development: A Case Study Adam Ockelford
11. Melisma as Malady: Cavalli's Il Giasone (1649) and opera's earliest
stuttering role Andrew Oster 12. The Organ of the Soul: Voice, Damage and
Affect Laurie Stras Part III. Composing disability musically 13. Les
Chansons des fous: On the Edge of Madness with Alkan Poundie Burstein 14.
Finding Autism in the Compositions of a Nineteenth-Century Prodigy:
Reconsidering Blind Tom Wiggins Stephanie Jensen-Moulton 15. Beyond
Abnormality-Dis/ability and Music's Metamorphic Subjectivities Marianne
Kielian-Gilbert 16. Mental Illness and Musical Metaphor in the First
Movement of Berlioz's Symphonie fantastique Stephen Rodgers 17. Inversional
Balance and the Normal Body in the Music of Schoenberg and Webern Joseph N.
Straus
Joseph N. Straus Part I. Narrating disability musically 2. Fever / Fragile
/ Fatigue: Music, AIDS, Present, and ... Paul G. Attinello 3. Of Bodies and
Narratives: Musical Representations of Pain and Illness in HBO's W;t Maria
Cizmic 4. Female Subjectivity, Disability, and Musical Authorship in
Krzysztof Kieslowski's Blue Kelly Gross 5. Dancing out of the Dark: How
Music Refutes Disability Stereotypes in Dancer in the Dark Jennifer Iverson
6. The Horrors of One-Handed Pianism: Music and Disability in The Beast
with Five Fingers Neil Lerner Part II. Performing disability musically 7.
Stuttering in American Popular Song, 1890-1930 Daniel Goldmark 8. Learning
to Hear Autistically Dave Headlam 9. Glenn Gould, Autistic Savant S.
Timothy Maloney 10. Using a Music-Theoretical Approach to Explore the
Impact of Disability on Musical Development: A Case Study Adam Ockelford
11. Melisma as Malady: Cavalli's Il Giasone (1649) and opera's earliest
stuttering role Andrew Oster 12. The Organ of the Soul: Voice, Damage and
Affect Laurie Stras Part III. Composing disability musically 13. Les
Chansons des fous: On the Edge of Madness with Alkan Poundie Burstein 14.
Finding Autism in the Compositions of a Nineteenth-Century Prodigy:
Reconsidering Blind Tom Wiggins Stephanie Jensen-Moulton 15. Beyond
Abnormality-Dis/ability and Music's Metamorphic Subjectivities Marianne
Kielian-Gilbert 16. Mental Illness and Musical Metaphor in the First
Movement of Berlioz's Symphonie fantastique Stephen Rodgers 17. Inversional
Balance and the Normal Body in the Music of Schoenberg and Webern Joseph N.
Straus