Examines the musical career of Pauline Oliveros an avant-garde composer and accordionist, whose radical innovations of the 1960s, 70s and 80s have redefined the aesthetic and formal parameters of American experimental music. This book offers an analysis of Oliveros' work as a musical form of feminist activism.
Crafting a dynamic relationship between feminism and music-making, this book offers a queerly original analysis of Oliveros's work as a musical form of feminist activism and argues for the productive role of experimental music in lesbian feminist theory.
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Crafting a dynamic relationship between feminism and music-making, this book offers a queerly original analysis of Oliveros's work as a musical form of feminist activism and argues for the productive role of experimental music in lesbian feminist theory.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.