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Crafting a dynamic relationship between feminism and music-making, this book offers a queerly original analysis of Oliveros's work as a musical form of feminist activism and argues for the productive role of experimental music in lesbian feminist theory.

Produktbeschreibung
Crafting a dynamic relationship between feminism and music-making, this book offers a queerly original analysis of Oliveros's work as a musical form of feminist activism and argues for the productive role of experimental music in lesbian feminist theory.
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Autorenporträt
Martha Mockus teaches in the Women's Studies Program at Hamilton College where she holds the Jane Watson Irwin Chair, 2006-08. Her published work addresses musical performance as a form of feminist and queer critique.