Sounding the Color Line - Nunn, Erich
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Explores how competing understandings of the US South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. A critical disjuncture exists between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other.

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Produktbeschreibung
Explores how competing understandings of the US South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. A critical disjuncture exists between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other.
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Autorenporträt
ERICH NUNN is assistant professor of English at Auburn University and a postdoctoral fellow at Emory University s Bill and Carol Fox Center for Humanistic Inquiry. His work has been published in the Faulkner Journal; The Mark Twain Annual; Criticism: A Quarterly for Literature and the Arts; Studies in American Culture; and in the edited collection, Transatlantic Roots Music: Folk, Blues, and National Identities."