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Jean Ma shows how the rise and domination of singing actresses—or songstresses—in Chinese cinema attests to the changing roles of women in urban modernity, the complex symbiosis between the film and music industries, and the distinctive gendering of lyrical expression.

Produktbeschreibung
Jean Ma shows how the rise and domination of singing actresses—or songstresses—in Chinese cinema attests to the changing roles of women in urban modernity, the complex symbiosis between the film and music industries, and the distinctive gendering of lyrical expression.
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Autorenporträt
Jean Ma is Associate Professor of Art and Art History at Stanford University. She is the author of Melancholy Drift: Marking Time in Chinese Cinema, and coeditor of Moving: Between Cinema and Photography, also published by Duke University Press.