Jean Ma shows how the rise and domination of singing actresses—or songstresses—in Chinese cinema attests to the changing roles of women in urban modernity, the complex symbiosis between the film and music industries, and the distinctive gendering of lyrical expression.
Jean Ma shows how the rise and domination of singing actresses—or songstresses—in Chinese cinema attests to the changing roles of women in urban modernity, the complex symbiosis between the film and music industries, and the distinctive gendering of lyrical expression.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jean Ma is Associate Professor of Art and Art History at Stanford University. She is the author of Melancholy Drift: Marking Time in Chinese Cinema, and coeditor of Moving: Between Cinema and Photography, also published by Duke University Press.
Inhaltsangabe
Acknowledgments vii Introduction 1 1. A Songstress Is Born 31 2. From Shanghai to Hong Kong 71 3. The Little Wildcat 103 4. The Mambo Girl 139 5. Carmen, Camille, and the Undoing of Women 185 Coda 213 Notes 219 Chinese Films Cited 247 Bibliography 253 Index 267
Acknowledgments vii Introduction 1 1. A Songstress Is Born 31 2. From Shanghai to Hong Kong 71 3. The Little Wildcat 103 4. The Mambo Girl 139 5. Carmen, Camille, and the Undoing of Women 185 Coda 213 Notes 219 Chinese Films Cited 247 Bibliography 253 Index 267
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826