In Sounds, Ecologies, Musics, authors pose exciting challenges and provide fresh opportunities for scholars, scientists, environmental activists, and musicians to consider music and sound from ecological standpoints. The book covers topics such as how environment enables music and sound, how music and sound relate to Western environmental science, and mutidisciplinary collaborations among scholars.
In Sounds, Ecologies, Musics, authors pose exciting challenges and provide fresh opportunities for scholars, scientists, environmental activists, and musicians to consider music and sound from ecological standpoints. The book covers topics such as how environment enables music and sound, how music and sound relate to Western environmental science, and mutidisciplinary collaborations among scholars.
Aaron S. Allen is Director of the Environment & Sustainability Program and Associate Professor of Musicology at UNC Greensboro. Jeff Todd Titon is Professor of Music, Emeritus, at Brown University, where for many years he led the PhD program in ethnomusicology.
Inhaltsangabe
* Chapter 1. Diverse Ecologies for Sound and Music Studies * * PART I: Music, Sound, Ecologies, and the Natural Environment * * Chapter 2. Ecoörganology: Toward the Ecological Study of Musical Instruments * * Chapter 3. "Like the Growth Rings of a Tree": A Socio-ecological Systems Model of Past and Envisioned Musical Change in Okinawa, Japan * * Chapter 4. Bat City Limits: Music in the Human-Animal Borderlands * * Chapter 5. Music, Ecology, and Atmosphere: Environmental Feelings and Sociocultural Crisis in Contemporary Finnish Classical Music * * PART II: Music, Sound, and Traditional/Indigenous Ecological Knowledges * * Chapter 6. Haiti, Singing for the Land, Sea, and Sky: Cultivating Ecological Metaphysics and Environmental Awareness through Music * * Chapter 7. Coyote Made the Rivers: Indigenous Ecology and the Sacred Continuum in the Interior Northwest * * Chapter 8. Resilient Sounds: Rakiura Stewart Island, Aotearoa New Zealand * * Chapter 9. Relational Capacities, Musical Ecologies: Judith Shatin's Ice Becomes Water * * PART III: Music, Sound, and Ecologies in Interdisciplinary Perspective * * Chapter 10. Biologists, Musicians, and the Ecology of Variation * * Chapter 11. Recomposing the Sound Commons: The Southern Resident Killer Whales of the Salish Sea * * Chapter 12. The Audible Anthropocene: Sustainable Bridging of Arts, Humanities, and Sciences Scholarship through Sound * * Chapter 13. "Things fall apart; the centre cannot hold": Impacts of Human Conflict on Musispheres * * Chapter 14. Eco-trope or Eco-tripe?: Music Ecology Today * * Index
* Chapter 1. Diverse Ecologies for Sound and Music Studies * * PART I: Music, Sound, Ecologies, and the Natural Environment * * Chapter 2. Ecoörganology: Toward the Ecological Study of Musical Instruments * * Chapter 3. "Like the Growth Rings of a Tree": A Socio-ecological Systems Model of Past and Envisioned Musical Change in Okinawa, Japan * * Chapter 4. Bat City Limits: Music in the Human-Animal Borderlands * * Chapter 5. Music, Ecology, and Atmosphere: Environmental Feelings and Sociocultural Crisis in Contemporary Finnish Classical Music * * PART II: Music, Sound, and Traditional/Indigenous Ecological Knowledges * * Chapter 6. Haiti, Singing for the Land, Sea, and Sky: Cultivating Ecological Metaphysics and Environmental Awareness through Music * * Chapter 7. Coyote Made the Rivers: Indigenous Ecology and the Sacred Continuum in the Interior Northwest * * Chapter 8. Resilient Sounds: Rakiura Stewart Island, Aotearoa New Zealand * * Chapter 9. Relational Capacities, Musical Ecologies: Judith Shatin's Ice Becomes Water * * PART III: Music, Sound, and Ecologies in Interdisciplinary Perspective * * Chapter 10. Biologists, Musicians, and the Ecology of Variation * * Chapter 11. Recomposing the Sound Commons: The Southern Resident Killer Whales of the Salish Sea * * Chapter 12. The Audible Anthropocene: Sustainable Bridging of Arts, Humanities, and Sciences Scholarship through Sound * * Chapter 13. "Things fall apart; the centre cannot hold": Impacts of Human Conflict on Musispheres * * Chapter 14. Eco-trope or Eco-tripe?: Music Ecology Today * * Index
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