Beyond the familiar forms of Mississippi Delta Blues and mainstream country music, the vernacular music of the South also ranges from the ceremonial music of Native Americans to 'shout' singing in the South Carolina sea islands, Cajun fiddling, and Mexican-American conjunto music.
Beyond the familiar forms of Mississippi Delta Blues and mainstream country music, the vernacular music of the South also ranges from the ceremonial music of Native Americans to 'shout' singing in the South Carolina sea islands, Cajun fiddling, and Mexican-American conjunto music.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of Illustrations ix Preface / Michael T. Casey, George M. Holt, and Daniel W. Patterson xi Introduction / Daniel W. Patterson 1 Part One: Personal and Historical Perspectives Evaluating Our Work and Ourselves / Bess Lomax Hawes 31 Country Music and the Academy: A Thirty-Year Professional Odyssey / Bill C. Malone 41 Overseas Blues: Europeans and the Blues / Paul Oliver 57 Looking for Henry Reed: Confessions of a Revivalist / Thomas Carter 73 Research Approaches to Black Gospel Quartets / Ray Funk 90 Part Two: Archival Preservation of Southern Music The John Edwards Memorial Foundation: Its History and Significance / Norm Cohen 113 The History of the Southern Folklife Collection: The Era of Surprise / Daniel W. Patterson 127 The History of the Southern Folklife Collection: Recent Developments 133 Who's Got What: A Survey of Southern Traditional Music in Public Repositories / Walter C. West and Michael T. Casey 140 The Center for Acadian and Creole Folklore: An Experiment in Guerilla Academics / Barry Ancelet 148 Part Three: Issues for the Future Life as We Knew It / Allen Tullos 157 Turning Inward and Outward: Retrospective and Prospective Considerations in the Recording of Vernacular Music in the South / David E. Whisnant 165 Afterword: "Our Music": Exhit Ahead / Archie Green 183 Notes 191 Contributors and Conference Speakers 207 Index 215
List of Illustrations ix Preface / Michael T. Casey, George M. Holt, and Daniel W. Patterson xi Introduction / Daniel W. Patterson 1 Part One: Personal and Historical Perspectives Evaluating Our Work and Ourselves / Bess Lomax Hawes 31 Country Music and the Academy: A Thirty-Year Professional Odyssey / Bill C. Malone 41 Overseas Blues: Europeans and the Blues / Paul Oliver 57 Looking for Henry Reed: Confessions of a Revivalist / Thomas Carter 73 Research Approaches to Black Gospel Quartets / Ray Funk 90 Part Two: Archival Preservation of Southern Music The John Edwards Memorial Foundation: Its History and Significance / Norm Cohen 113 The History of the Southern Folklife Collection: The Era of Surprise / Daniel W. Patterson 127 The History of the Southern Folklife Collection: Recent Developments 133 Who's Got What: A Survey of Southern Traditional Music in Public Repositories / Walter C. West and Michael T. Casey 140 The Center for Acadian and Creole Folklore: An Experiment in Guerilla Academics / Barry Ancelet 148 Part Three: Issues for the Future Life as We Knew It / Allen Tullos 157 Turning Inward and Outward: Retrospective and Prospective Considerations in the Recording of Vernacular Music in the South / David E. Whisnant 165 Afterword: "Our Music": Exhit Ahead / Archie Green 183 Notes 191 Contributors and Conference Speakers 207 Index 215
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