Celeste Day Moore traces the popularity of African American music in postwar France to outline how it came to signify both state power and liberation for Francophone audiences throughout the world.
Celeste Day Moore traces the popularity of African American music in postwar France to outline how it came to signify both state power and liberation for Francophone audiences throughout the world.
Abbreviations ix Acknowledgments xi Introduction: Making Soundwaves 1 1. Jazz en Liberté: The US Military and the Soundscapes of Liberation 17 2. Writing Black, Talking Back: Jazz and the Value of African American Identity 43 3. Spinning Race: The French Record Industry and the Production of African American Music 71 4. Speaking in Tongues: The Negro Spiritual and the Circuits of Black Internationalism 103 5. The Voice of America: Radio, Race, and the Sounds of the Cold War 133 6. Liberation Revisited: African American Music and the Postcolonial Landscape 161 Epilogue: Sounding like a Revolution 195 Notes 201 Sources 251 Index 283
Abbreviations ix Acknowledgments xi Introduction: Making Soundwaves 1 1. Jazz en Liberté: The US Military and the Soundscapes of Liberation 17 2. Writing Black, Talking Back: Jazz and the Value of African American Identity 43 3. Spinning Race: The French Record Industry and the Production of African American Music 71 4. Speaking in Tongues: The Negro Spiritual and the Circuits of Black Internationalism 103 5. The Voice of America: Radio, Race, and the Sounds of the Cold War 133 6. Liberation Revisited: African American Music and the Postcolonial Landscape 161 Epilogue: Sounding like a Revolution 195 Notes 201 Sources 251 Index 283
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