This book investigates translocal intimacies in relation to 21st century transnational South Asian disability theatres in order to lay out new possibilities for accessible theatres. It makes an important contribution to theatre, performance and Disability Studies as well as Feminist Studies and South Asian Studies.
This book investigates translocal intimacies in relation to 21st century transnational South Asian disability theatres in order to lay out new possibilities for accessible theatres. It makes an important contribution to theatre, performance and Disability Studies as well as Feminist Studies and South Asian Studies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kanta Kochhar-Lindgren, an Indian American hard-of-hearing choreographer, director, and scholar, is the co-director of Wild Studios Consulting, USA. The author of Hearing Difference: The Third Ear in Experimental, Deaf, and Multicultural Theatre (2006), she has also been a Theatre Topics Editor and Fulbright-Nehru Senior Scholar.
Inhaltsangabe
Preface Chapter 1. Disability in India: Towards Future Theatres Chapter 2. Towards a Transnational Feminist Disability Performance Studies Chapter 3. Translocal Intimacies, Disability, and the Digital Chapter 4. Disability, Gender, and Belonging in Mahesh Dattani's Tara and Manjula Padmanabhan's Harvest Chapter 5. Access Intimacy and Pedagogy: Shyambazar Blind Opera House Chapter 6. Jana Sanskriti's The Wasteland: A Journey Chapter 7. Changing the Theatrical Model: COVID, the First Drop Change Foundation, and Playback Theatre Chapter 8. Towards an Accessible Theatre Practice: Building New Audiences Afterword Index
Preface Chapter 1. Disability in India: Towards Future Theatres Chapter 2. Towards a Transnational Feminist Disability Performance Studies Chapter 3. Translocal Intimacies, Disability, and the Digital Chapter 4. Disability, Gender, and Belonging in Mahesh Dattani's Tara and Manjula Padmanabhan's Harvest Chapter 5. Access Intimacy and Pedagogy: Shyambazar Blind Opera House Chapter 6. Jana Sanskriti's The Wasteland: A Journey Chapter 7. Changing the Theatrical Model: COVID, the First Drop Change Foundation, and Playback Theatre Chapter 8. Towards an Accessible Theatre Practice: Building New Audiences Afterword Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826