Contributors to this work continue the work of critically remapping the South through their studies of southern literature and culture. In appraising representations of the South within a context that is postmodern, diverse, and international, the essays present multiple ways of imagining the South and examine both new places and old landscapes in an attempt to tie the mythic southern balloon down to earth. They explore the roles that economic, racial, and ideological tensions have played in the formation of southern identity through varying representations of locality, moving regionalism toward a "new place" in southern studies.…mehr
Contributors to this work continue the work of critically remapping the South through their studies of southern literature and culture. In appraising representations of the South within a context that is postmodern, diverse, and international, the essays present multiple ways of imagining the South and examine both new places and old landscapes in an attempt to tie the mythic southern balloon down to earth. They explore the roles that economic, racial, and ideological tensions have played in the formation of southern identity through varying representations of locality, moving regionalism toward a "new place" in southern studies.
Associate professor of English at the University of Richmond, Suzanne W. Jones is also the editor of Writing the Woman Artist; Growing Up in the South; and Crossing the Color Line. Sharon Monteith is senior lecturer in the School of American and Canadian Studies at the University of Nottingham in England. She is the author of Advancing Sisterhood? Interracial Friendships in Contemporary Southern Fiction and coeditor of Gender and the Civil Rights Movement.
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