Soviet Films of the 1970s and Early 1980s
Conformity and Non-Conformity Amidst Stagnation Decay
Herausgeber: Rojavin, Marina; Harte, Tim
Soviet Films of the 1970s and Early 1980s
Conformity and Non-Conformity Amidst Stagnation Decay
Herausgeber: Rojavin, Marina; Harte, Tim
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This book explores a new character archetype that permeated Soviet film during what became known as the era of Stagnation, a stark period of loneliness, disappointment, and individual despair.
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This book explores a new character archetype that permeated Soviet film during what became known as the era of Stagnation, a stark period of loneliness, disappointment, and individual despair.
Produktdetails
- Produktdetails
- Routledge Contemporary Russia and Eastern Europe Series
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 192
- Erscheinungstermin: 9. Januar 2023
- Englisch
- Abmessung: 234mm x 156mm x 11mm
- Gewicht: 298g
- ISBN-13: 9780367762049
- ISBN-10: 0367762048
- Artikelnr.: 67515071
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Routledge Contemporary Russia and Eastern Europe Series
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 192
- Erscheinungstermin: 9. Januar 2023
- Englisch
- Abmessung: 234mm x 156mm x 11mm
- Gewicht: 298g
- ISBN-13: 9780367762049
- ISBN-10: 0367762048
- Artikelnr.: 67515071
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Marina Rojavin teaches Russian language, culture, and Russian cinema in the Department of Russian at Bryn Mawr College, USA Tim Harte, Provost and Professor of Russian at Bryn Mawr College, USA, specializes in twentieth-century Russian literature, film, and culture
Introduction Part I Violating norms in Soviet serio-comic genres of the
stagnation era 1. Character Doubles as a Symptom in Late Soviet Cinema 2.
Antiheroes from an Imagined West: The Very Same Munchhausen and The House
that Swift Built Part II Unsettling intergenerational harmony, professional
integrity, and moral superiority 3. Teaching (by) Violence: Antiheroines in
Ilya Averbakh's Other People's Letters 4. Aging Kings on the Soviet Screen:
Disappointment and Self-Doubt in Stagnation-era Cinema Part III Dualism,
conformism, and impotence 5. The Soviet Flâneur Turned Marathoner: The
Movement of Character and the Character of Movement in Georgii Daneliia's
1970s Films 6. Unneeded Men in a Time of Compliance: Split Identity in
Unfinished Piece for Mechanical Piano and Flights in Dreams and Reality
Part IV. Auteur films: through the lens of time, space, and allegory 7.
Getting to Know the Big Wide World: The Shaggy, the Vulgar and the
Bumptious 8. Deconstructing the Stalin Myth: Unheroic Heroes in the Films
of Aleksei German, Sr.
stagnation era 1. Character Doubles as a Symptom in Late Soviet Cinema 2.
Antiheroes from an Imagined West: The Very Same Munchhausen and The House
that Swift Built Part II Unsettling intergenerational harmony, professional
integrity, and moral superiority 3. Teaching (by) Violence: Antiheroines in
Ilya Averbakh's Other People's Letters 4. Aging Kings on the Soviet Screen:
Disappointment and Self-Doubt in Stagnation-era Cinema Part III Dualism,
conformism, and impotence 5. The Soviet Flâneur Turned Marathoner: The
Movement of Character and the Character of Movement in Georgii Daneliia's
1970s Films 6. Unneeded Men in a Time of Compliance: Split Identity in
Unfinished Piece for Mechanical Piano and Flights in Dreams and Reality
Part IV. Auteur films: through the lens of time, space, and allegory 7.
Getting to Know the Big Wide World: The Shaggy, the Vulgar and the
Bumptious 8. Deconstructing the Stalin Myth: Unheroic Heroes in the Films
of Aleksei German, Sr.
Introduction Part I Violating norms in Soviet serio-comic genres of the
stagnation era 1. Character Doubles as a Symptom in Late Soviet Cinema 2.
Antiheroes from an Imagined West: The Very Same Munchhausen and The House
that Swift Built Part II Unsettling intergenerational harmony, professional
integrity, and moral superiority 3. Teaching (by) Violence: Antiheroines in
Ilya Averbakh's Other People's Letters 4. Aging Kings on the Soviet Screen:
Disappointment and Self-Doubt in Stagnation-era Cinema Part III Dualism,
conformism, and impotence 5. The Soviet Flâneur Turned Marathoner: The
Movement of Character and the Character of Movement in Georgii Daneliia's
1970s Films 6. Unneeded Men in a Time of Compliance: Split Identity in
Unfinished Piece for Mechanical Piano and Flights in Dreams and Reality
Part IV. Auteur films: through the lens of time, space, and allegory 7.
Getting to Know the Big Wide World: The Shaggy, the Vulgar and the
Bumptious 8. Deconstructing the Stalin Myth: Unheroic Heroes in the Films
of Aleksei German, Sr.
stagnation era 1. Character Doubles as a Symptom in Late Soviet Cinema 2.
Antiheroes from an Imagined West: The Very Same Munchhausen and The House
that Swift Built Part II Unsettling intergenerational harmony, professional
integrity, and moral superiority 3. Teaching (by) Violence: Antiheroines in
Ilya Averbakh's Other People's Letters 4. Aging Kings on the Soviet Screen:
Disappointment and Self-Doubt in Stagnation-era Cinema Part III Dualism,
conformism, and impotence 5. The Soviet Flâneur Turned Marathoner: The
Movement of Character and the Character of Movement in Georgii Daneliia's
1970s Films 6. Unneeded Men in a Time of Compliance: Split Identity in
Unfinished Piece for Mechanical Piano and Flights in Dreams and Reality
Part IV. Auteur films: through the lens of time, space, and allegory 7.
Getting to Know the Big Wide World: The Shaggy, the Vulgar and the
Bumptious 8. Deconstructing the Stalin Myth: Unheroic Heroes in the Films
of Aleksei German, Sr.